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General Category => Entertainment and Media => Topic started by: Memoria on July 24, 2007, 05:26:06 am

Title: Best Rihanna Single
Post by: Memoria on July 24, 2007, 05:26:06 am
I'm going to vote "Umbrella" although it's really close between that, "Pon de Replay," "SOS," and "Shut Up and Drive."  "Shut Up and Drive" is really fun and the video is damn sexy, but it feels more shoddy than "Umbrella" (plus the bridge in the latter is great).  I really wish "Breakin' Dishes" was a single, though; love that damn song.
Title: Best Rihanna Single
Post by: GirlBones on July 24, 2007, 07:16:52 am
Pon de Replay
Title: Best Rihanna Single
Post by: Bootface on July 24, 2007, 08:24:54 am
holy shit she has that many singles? I thought it was unfaithful, sos and then something I don't remember.
Title: Best Rihanna Single
Post by: dom on July 24, 2007, 12:05:35 pm
umbarella ella ella ay ay ay
Title: Best Rihanna Single
Post by: bible_basher on July 24, 2007, 12:14:47 pm
I hate all her music. I don't like it.
SHE SINGS ABOUT A FUCKING UMBRELLA
Title: Best Rihanna Single
Post by: dom on July 24, 2007, 12:58:07 pm
I hate all her music. I don't like it.
SHE SINGS ABOUT A FUCKING UMBRELLA
ever heard of a metaphor
Title: Best Rihanna Single
Post by: Wash Cycle on July 24, 2007, 02:00:19 pm
who the fuck is rihanna
Title: Best Rihanna Single
Post by: Fade on July 24, 2007, 02:16:26 pm
who the fuck is rihanna
That's what I was wondering.
Title: Best Rihanna Single
Post by: Vellfire on July 24, 2007, 02:24:12 pm
who the fuck is rihanna

I didn't know until I looked at the poll options, so apparently she's the fucking Umbrella girl.

Which means all of these songs have to be horrible, horrible shit.
Title: Best Rihanna Single
Post by: Beasley on July 24, 2007, 03:27:03 pm
I hate all her music. I don't like it.
SHE SINGS ABOUT A FUCKING UMBRELLA

yeah wtf. and what is this stairway to heaven by the way. that could never exist, how ridiculous.

umbrella by the way. the rainman is back with little miss sunshine rihanna where you at
Title: Best Rihanna Single
Post by: the_bub_from_the_pit on July 24, 2007, 05:17:39 pm
ARGH this is the chick who sings the umbrella song? How do people say it's "catchy"? It makes my ears bleed :(
Title: Best Rihanna Single
Post by: The Riddler on July 24, 2007, 05:17:55 pm
Umbrella!
Title: Best Rihanna Single
Post by: Ragnar on July 24, 2007, 06:43:08 pm
Wait isn't SOS the song that samples Soft Cell? Fuk u Rihanna
Title: Best Rihanna Single
Post by: Memoria on July 24, 2007, 07:02:28 pm
holy shit she has that many singles? I thought it was unfaithful, sos and then something I don't remember.

Yeah, I didn't realize that either but Wiki says so.

who the fuck is rihanna

(http://ubl.artistdirect.com/Images/artd/amg/music/bio/3273392_rihanna3_200x200.jpg)

Why all the Rihanna hate, by the way?
Title: Best Rihanna Single
Post by: Memoria on July 24, 2007, 07:03:37 pm
Wait isn't SOS the song that samples Soft Cell? Fuk u Rihanna

It's not like Soft Cell wrote it either.  It was originally recorded by Gloria Jones.
Title: Best Rihanna Single
Post by: blood hell on July 24, 2007, 07:20:36 pm
UGH SHES MAINSTREAM SHE MAKES MY EARS BLEED!!!!!

I would rather listen to umbrella (which is not a terrible song guys) then fucking meshugga or whatever the hell
Title: Best Rihanna Single
Post by: the_bub_from_the_pit on July 24, 2007, 08:15:00 pm
UGH SHES MAINSTREAM SHE MAKES MY EARS BLEED!!!!!

BECUASE THIS IS CLEARLY THE ONLY THING THAT MAKES US HATE HER.

Seriously, I listen to some mainstream stuff as well as non-mainstream stuff, not becuase it's popular or not, but becuase it's GOOD.
Title: Best Rihanna Single
Post by: Zellus on July 24, 2007, 09:55:26 pm
rehanna cant sing lmao, the only song that was simply a miracle was "If It's Lovin' That You Want", i dunno what kind of powerful computer they used on her voice to get that but it worked.

that being said, its the only song i can listen to without bleeding ears
Title: Best Rihanna Single
Post by: rapstar on July 24, 2007, 11:30:43 pm
"umbrella"s ok but it gets pretty tiring after wayy too many airplays, but i really like it when she performs it live with the loud geetars or when my friend, John, dances to it while prettending to carry an umbrella. "shut up n drive"s my fave so far, though. very upbeat. and shes hott.
Title: Best Rihanna Single
Post by: rapstar on July 24, 2007, 11:31:27 pm
really hott.
Title: Best Rihanna Single
Post by: Borderline Academic on July 25, 2007, 12:10:03 am
oh shit memoria!

i have not heard any of rihanna's shit but you were really one of the coolest guys ever so i will give it a try (i am trystero/steel btw).
Title: Best Rihanna Single
Post by: cowardknower on July 25, 2007, 12:19:47 am
holy shit she has that many singles? I thought it was unfaithful, sos and then something I don't remember.
Yeah, I didn't realize that either but Wiki says so.

(http://ubl.artistdirect.com/Images/artd/amg/music/bio/3273392_rihanna3_200x200.jpg)

Why all the Rihanna hate, by the way?

when i read bootfaces quote in your post i honestly misread it as holy shit she has that many nipples?
no joke


hey is this the lipgloss girl?
Title: Best Rihanna Single
Post by: Memoria on July 25, 2007, 01:07:36 am
oh shit memoria!

i have not heard any of rihanna's shit but you were really one of the coolest guys ever so i will give it a try (i am trystero/steel btw).

Err thanks  :happy:​  Currently my favorite Rihanna is "Lemme Get That" from her newest album.


hey is this the lipgloss girl?

No, I don't really like that song  :confused:

EDIT:  For those who don't like Rihanna, what is about her music that you don't like?
Title: Best Rihanna Single
Post by: Ragnar on July 25, 2007, 01:18:43 am
It's not like Soft Cell wrote it either.  It was originally recorded by Gloria Jones.

Damn so it's like a remix of a remix of a remix like Kanye West's new song thing.
Title: Best Rihanna Single
Post by: Wash Cycle on July 25, 2007, 01:40:04 am
EDIT:  For those who don't like Rihanna, what is about her music that you don't like?
well for one thing she is not attractive hello bronze skin and too much makeup ick

(though honestly I dont know who the fuck she is, but I'm sure I've heard her music on the hip hop/rnb station that everyone at work listens to cause they are so thugggg, and I can say truthfully that nothing that is played on that station has any musical merit for any of these reasons a) no real musicians b) the artists dont write their own songs c) the artists actually cant really sing and either use like pitch bending or 5 million fucking takes to get one perfect note/word/syllable *cough britney spears cough*)
Title: Best Rihanna Single
Post by: Impeal on July 25, 2007, 01:51:39 am
Umbrella is pretty good. I don't think I've heard any of her other stuff.
Title: Best Rihanna Single
Post by: Memoria on July 25, 2007, 02:20:49 am
well for one thing she is not attractive hello bronze skin and too much makeup ick

She's pretty attractive.  Pictures from photo shoots always look a bit Photoshopped, though, because they are.

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(though honestly I dont know who the fuck she is, but I'm sure I've heard her music on the hip hop/rnb station that everyone at work listens to cause they are so thugggg, and I can say truthfully that nothing that is played on that station has any musical merit for any of these reasons a) no real musicians b) the artists dont write their own songs c) the artists actually cant really sing and either use like pitch bending or 5 million fucking takes to get one perfect note/word/syllable *cough britney spears cough*)

a) What's a real musician?
b) Most of Horowitz's, Gould's, and Karajan's contributions to the music world have not been "composed" by them.  Bad artists?
c) Most famous singers can sing pretty well (I've heard Rihanna singing live before and given that there was choreography involved she did a good job), but hypothetically if she was a terrible singer and her recordings were extremely pieced together, does this even matter in the listening experience?
Title: Best Rihanna Single
Post by: Wash Cycle on July 25, 2007, 02:29:57 am
a) real musicians as in ones that are living and breathing and play instruments. everything in those horrible rap/rnb songs is synthesized
b) the people who wrote the songs that classical performers play were pretty fucking good at what they do. the people who write pop songs are not.
c) yeah as of like 1999, any time after that, pop music stars are pretty much manufactured at least 80% of the time

and also no rihanna is not attractive
Title: Best Rihanna Single
Post by: GirlBones on July 25, 2007, 02:52:32 am
a) real musicians as in ones that are living and breathing and play instruments. everything in those horrible rap/rnb songs is synthesized
b) the people who wrote the songs that classical performers play were pretty fucking good at what they do. the people who write pop songs are not.
c) yeah as of like 1999, any time after that, pop music stars are pretty much manufactured at least 80% of the time

and also no rihanna is not attractive

oh man i am quoting this so you will be embarassed when you realize what you wrote and try to change it but you cant because i quoted you on it hahahaha

also,

a)Major Record Label = Studio Musicians, also rappers aren't musicians, they're artists, which is a whole lot better considering that music is entertainment, not art. Also what about techno/electronica, etc
b)subjective bullshit
c)subjective bullshit
Title: Best Rihanna Single
Post by: Memoria on July 25, 2007, 02:54:09 am
a) real musicians as in ones that are living and breathing and play instruments. everything in those horrible rap/rnb songs is synthesized

Her singing, whether you like it or not, is a crucial part of her music.  Separately, are synthesized timbres somehow musically invalid?  If so, why?

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b) the people who wrote the songs that classical performers play were pretty fucking good at what they do. the people who write pop songs are not.

I was referring Horowitz, Gould, and Karajan.  Would you consider them artists even though their contributions were performances of works written by others?

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c) yeah as of like 1999, any time after that, pop music stars are pretty much manufactured at least 80% of the time

The question still remains, does this even matter in the listening experience?  If so, why?
Title: Best Rihanna Single
Post by: Wash Cycle on July 25, 2007, 04:03:17 am
Synthesized instruments are great in conjunction with real instruments. And they are also great when they are used to make music that is more complex than the random song you might hear on the radio, for example large sections of the album Bitches Brew have synthesizer, Joe Zawinul was a genius on the instrument, and his contribution to one of the greatest albums of the 20th century is massive. But when I hear a song that is composed of... a drum machine, something that sounds like a midi patch for bass, a random simple melody and some like random sound effects with someone singing pretty shittly over top of I am not excited.

I would consider them artists because of the reason that I stated. They are artists because the music they interperate requires a) skill to play and b) the ability to memorize lengthy pieces of complicated music and play it in their own style (this is why people listen to different performers of the same piece, because no one plays it the same way twice)

It matters in the listening experience because if I know the performance is fake or contrived I'm not going to enjoy it.
Title: Best Rihanna Single
Post by: Memoria on July 25, 2007, 06:44:06 am
Synthesized instruments are great in conjunction with real instruments.

So Subotnick, Xenakis, Varese, and tons of others who wrote many pieces without any "real" instruments were misguided?

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And they are also great when they are used to make music that is more complex than the random song you might hear on the radio, for example large sections of the album Bitches Brew have synthesizer, Joe Zawinul was a genius on the instrument, and his contribution to one of the greatest albums of the 20th century is massive. But when I hear a song that is composed of... a drum machine, something that sounds like a midi patch for bass, a random simple melody and some like random sound effects with someone singing pretty shittly over top of I am not excited.

Why is complexity necessary for good music?  Chopin's work is often beautifully simple.  Hell, the Beatles are often beautifully simple.  Or is it just that a piano or guitar playing something simple is okay but a Reason synth playing something simple isn't?

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I would consider them artists because of the reason that I stated. They are artists because the music they interperate requires a) skill to play and b) the ability to memorize lengthy pieces of complicated music and play it in their own style (this is why people listen to different performers of the same piece, because no one plays it the same way twice)

It takes "skill" for both the songwriters/producers and performers of pop music to do what they do.  The songwriters/producers have to be able to know how to manipulate their instruments to get the sounds they want, just as any orchestral conductor or orchestral composer does (not to mention they need the skill to know what they're looking for in the first place).  I'm not afraid to make a value judgment, though, and there's no doubt in my mind that .  The performer, though, must lend his or her unique talent to the recording because they possess things timbrally that no one else has (and things that the songwriters/producers wrote for).  And they must have a command of these things to be effective.  You're greatly exaggerating the role the producer has in shaping the performer's performance.

EDIT:  I didn't realize I started a sentence that I didn't finish.  What I was going to say is that there's no doubt in my mind that typically performers in pop music have less intellectual input in the music than a classical soloist does (the reason being completely technological).  But regardless, they're a vital part of the creation of the music and thus should be considered as much artists as anyone sitting in an orchestra.

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It matters in the listening experience because if I know the performance is fake or contrived I'm not going to enjoy it.

How is any sound "fake?"  Timbres are timbres, rhythm is rhythm, sound is sound; while listening you're projecting your extra-sensory ideas onto music that clearly isn't designed to cater to them, thus ruining a potentially enjoyable listening experience.  Having your mind open to extra-sensory or extra-musical ideas during the listening experience is not a bad thing (it's a really good thing, in fact) and is pretty much a staple of postmodernism, but imposing a set of extra-sensory prejudices onto music regardless of how the music itself demands that you listen is immature listening.
Title: Best Rihanna Single
Post by: dom on July 25, 2007, 01:53:25 pm
the umbrella song is dumb as fuck (umbarella ella ay ay ay) but i have nothing against rihanna in general
Title: Best Rihanna Single
Post by: Memoria on July 25, 2007, 02:26:56 pm
the umbrella song is dumb as fuck (umbarella ella ay ay ay) but i have nothing against rihanna in general

I actually didn't like it at first and initially preferred the other ones I mentioned.  I had heard it a million times, too, but over the past week or so it's sunken in more than the others (it has more shelf life, imo).
Title: Best Rihanna Single
Post by: tomohawkjoe on July 25, 2007, 04:39:36 pm
@Memoria: I give pop/r&b singers credit for being able to dance around on stage and still sing. I personally don't like the music but it does take skill to be able to remember lengthy coreographed pieces and sing at the same time. But as a musician, this type of music does not musically stimulate me. I'm not saying "Lol, Rihanna isn't s00pers teksnikal!!!", no, I just don't like it. I'd rather listen to Meshuggah (thats right) or Frank Gambale. But that doesn't mean you can't listen to Rihanna. If you like her music, then by all means, listen to it. Its your right.
Title: Best Rihanna Single
Post by: dark_crystalis on July 25, 2007, 05:25:26 pm
I hate her music... and even if she is hot, what the hell does that do? It doesn't change her music.

Memoria, producing a pop record that uses pretty only synths is a lot more easy than say recording a whole frickin' orchestra or a 6 piece band and such. Also, most producers have a huge role dude.

One thing I really hate about pop music now is the drums. They'll often actually use REAL drummers but then they run it through programs like Drumagog and such. People prefer a drum that sounds completely synthetic. And the thing is that it just sounds completely like a fake drum. I don't mind artists/musician using drum programming but please make it sound good (like The Fall Of Every Season has a great sounding drum even though it's fake)
Title: Best Rihanna Single
Post by: Vellfire on July 25, 2007, 09:34:52 pm
Man, and she probably doesn't even have anything to do with her music.  Does she even write hers?  I'm not claiming for sure she doesn't, but I want to ask since it's dumb to argue her musical talent if she doesn't even do any of her own work.
Title: Best Rihanna Single
Post by: blood hell on July 25, 2007, 11:47:07 pm
Im pretty sure Frank Sinatra didn't write a lot of his music either (Not to say she is as good as frank though!)
Title: Best Rihanna Single
Post by: Memoria on July 26, 2007, 12:45:15 am
@Memoria: I give pop/r&b singers credit for being able to dance around on stage and still sing. I personally don't like the music but it does take skill to be able to remember lengthy coreographed pieces and sing at the same time. But as a musician, this type of music does not musically stimulate me. I'm not saying "Lol, Rihanna isn't s00pers teksnikal!!!", no, I just don't like it. I'd rather listen to Meshuggah (thats right) or Frank Gambale. But that doesn't mean you can't listen to Rihanna. If you like her music, then by all means, listen to it. Its your right.

That's fine; nobody digs everything.  I personally don't like much jazz; "Bitches Brew" is the only jazz recording I've heard that has strongly resonated with me.  The problem is when you begin thinking of it as an objective value judgment.

I hate her music... and even if she is hot, what the hell does that do? It doesn't change her music.

It doesn't affect her music when you're only listening to it (as in, CD, *.mp3, etc.)  But live pop music and pop music on TV is usually extended into an audio-visual experience, so in those situations it should be experienced as such (so of course in that context her attractiveness plays a role).  Personally, I'm not terribly sensitive to the visual aspect of pop music when it's present, just because nearly all other music I listen to doesn't incorporate visuals, so I just get used to not having to pay attention to them. 

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Memoria, producing a pop record that uses pretty only synths is a lot more easy than say recording a whole frickin' orchestra or a 6 piece band and such. Also, most producers have a huge role dude.

They're both easier and difficult in their own unique ways.  Recording an orchestra is obviously harder logistically (and might cost more), but then again the pieces are already written, the timbres are already created, and I'm sure that to a large extent the recording practice has been standardized.  Recording a pop album is easier logistically and probably cheaper, but it requires different production skills and the music has to be written.  I don't think one or the other is necessarily harder.  Still, though, this entire point of discussion is irrelevant to the value of the music.

And I don't doubt that producers have a huge role, but Wash Cycle makes it sound like they ask the performer to go into the recording booth, recite the Gettysburg Address, and then somehow turn that audio into a track like "Umbrella."  All I'm saying is that without the unique talent of the performer, there is no record.

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One thing I really hate about pop music now is the drums. They'll often actually use REAL drummers but then they run it through programs like Drumagog and such. People prefer a drum that sounds completely synthetic. And the thing is that it just sounds completely like a fake drum. I don't mind artists/musician using drum programming but please make it sound good (like The Fall Of Every Season has a great sounding drum even though it's fake)

This is just a simple matter of timbral taste.  Processed or synthesized drums simply have a different feel than acoustic drums and a lot of people like it.  It's not really an issue of "fake" or "real"; timbres are just timbres.  I bet someone like Leadbelly would think that distorted guitars sound "fake."  I personally think that real drums would ruin a lot of great pop tracks and sound very out of place, but again it's just taste.

Man, and she probably doesn't even have anything to do with her music.  Does she even write hers?  I'm not claiming for sure she doesn't, but I want to ask since it's dumb to argue her musical talent if she doesn't even do any of her own work.

Have you been reading the thread?  This has already been covered.

In general:  Seriously, all this talk about how hard such-and-such is and how much skill so-and-so has is all completely irrelevant.  Technical skill is a means to an end, the end being in this case music.  A piano player needs to be technically skilled to play a Liszt concerto because that's the only way to make that music a reality.  Likewise, a rap producer needs to be adept at using Reason and/or other musical software because those means are the only way to make his music a reality; he doesn't need to be a virtuoso guitarist because his music doesn't require it.  Criticizing music based on the means by which it was created is stupid; it's like criticizing a book because the author is a slow typist.  So, even if Timbaland produced Justin Timberlake's entire last album by manipulating a recording of Justin reciting the ABCs, does it really make a difference?  The important thing is the end product.  Even discussion about how involved a person needs to be to be considered an artist is ultimately useless because it says nothing about the music; it only serves to boost or break someone's ego (and why be concerned with something like that?).  I asked for reasons why some people don't like her music and so far there's been hardly any comments actually about her music.
Title: Best Rihanna Single
Post by: Wash Cycle on July 26, 2007, 01:07:08 am
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And I don't doubt that producers have a huge role, but Wash Cycle makes it sound like they ask the performer to go into the recording booth, recite the Gettysburg Address, and then somehow turn that audio into a track like "Umbrella."  All I'm saying is that without the unique talent of the performer, there is no record.
yeah, there have been plenty of records made over the course of pop music in which no talent whatsoever went into it. Nysnc had several multi-platinum albums didnt they?
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The important thing is the end product.  Even discussion about how involved a person needs to be to be considered an artist is ultimately useless because it says nothing about the music; it only serves to boost or break someone's ego (and why be concerned with something like that?).  I asked for reasons why some people don't like her music and so far there's been hardly any comments actually about her music.
are you a musician or just a listener of music? seriously... because yes ultimately the end product is what you end up hearing, but the process is JUST AS IMPORTANT. I hate to use this example because not everyone agrees on the musical value of this band, but Opeth's take on songwriting creates far more interesting output than fucking anything you hear on the radio. Mikael starts with the shell of a song, and the members of the band improvise their own parts in the studio, writing the music as they go, so that as much of the soul of the individual musician is infused into the final product. This can be done in extensively planned out music as well, ala Mark Knopfler's solo material, but when a pop musician goes into the studio, and the song is already written for them, the tracks have been recorded and all they do is sing the lines that have been given them, the final product sounds mechanical, boring and contrived. Not to mention that most pop-singers either a) have extremely boring stock-type singing voices or b) are graced with a technically amazing set of vocal chords but they have no soul whatsoever
Title: Best Rihanna Single
Post by: tomohawkjoe on July 26, 2007, 03:57:13 am
Why wash cycle, why. Just because you play an instrument does not give you the right to rag on artist/musicians. If you don't like pop music, thats fine, but you need to understand that sometimes people want to write the music they like to play/preform. Opeth plays what they like and Pop artist enjoy what they do. Also, I may not like N'SYNC, but I know it takes talent to sing. I know, I've tried. Now just because you don't like the way they sing doesn't mean they have no talent. That'd be Like me saying that Jimi Page had no talent just because I don't like Led Zep. Its ignorant.
Title: Best Rihanna Single
Post by: Fade on July 26, 2007, 04:24:34 am
She is kind of hot, I'll give her that much.
Title: Best Rihanna Single
Post by: Wash Cycle on July 26, 2007, 04:49:39 am
Why wash cycle, why. Just because you play an instrument does not give you the right to rag on artist/musicians. If you don't like pop music, thats fine, but you need to understand that sometimes people want to write the music they like to play/preform. Opeth plays what they like and Pop artist enjoy what they do. Also, I may not like N'SYNC, but I know it takes talent to sing. I know, I've tried. Now just because you don't like the way they sing doesn't mean they have no talent. That'd be Like me saying that Jimi Page had no talent just because I don't like Led Zep. Its ignorant.
but thats the thing, sometimes the singing you are hearing isnt sung at all, its created in the studio and that takes no talent.

you misunderstand my thought process. I do not say 'oh I dont like that music, the artists must not be talented', I dont like most west-african styles of music but god damn some of the best percussionists in the world play in Nigerian and Ghanian ensembles. the way I work is more 'hmm that artist doesnt really exhibit a lot of talent, they have lots of gimmicks/are overproduced... they're boring.. I dont think I like them very much' so dont try to take your argument to me
Title: Best Rihanna Single
Post by: Memoria on July 26, 2007, 05:06:18 am
are you a musician or just a listener of music? seriously... because yes ultimately the end product is what you end up hearing, but the process is JUST AS IMPORTANT. I hate to use this example because not everyone agrees on the musical value of this band, but Opeth's take on songwriting creates far more interesting output than fucking anything you hear on the radio. Mikael starts with the shell of a song, and the members of the band improvise their own parts in the studio, writing the music as they go, so that as much of the soul of the individual musician is infused into the final product. This can be done in extensively planned out music as well, ala Mark Knopfler's solo material, but when a pop musician goes into the studio, and the song is already written for them, the tracks have been recorded and all they do is sing the lines that have been given them, the final product sounds mechanical, boring and contrived. Not to mention that most pop-singers either a) have extremely boring stock-type singing voices or b) are graced with a technically amazing set of vocal chords but they have no soul whatsoever

My main musical concern is composition.  The process/means is/are extremely important to music in general, but not to the actual listening experience itself.  Here's why:

Let's say someone gives you an unlabeled CD-R with a bunch of recordings on it.  Let's also say that you absolutely cannot find any information whatsoever on the music.  Now all the tracks have vocals and other instrumentation as well.  When you listen to this music and decide if you like it or not, the process involved in making this music has absolutely no effect on your experience of the music.  Unlike the Opeth example you gave above, you cannot say that the keyboardist gives his own particular soul to the track by improvising over something the rhythm guitarist is playing, and so forth.  You have no idea how many musicians were involved in the writing and recording of the track; you have no idea who did what; nor do you even have any idea whether something was improvised or not.  Even if the recording sounds just like a Justin Timberlake song, for all you know the guy singing it could be the only one involved (wrote the song, produced it, sang it, etc.).  In this case you cannot judge the song based on the singer's involvement in the songwriting; you cannot judge on the song based on improv skills; hell, you can't even judge the song based on "technical skill" on an instrument (what if this artist or group of artists is/are crazy good at programming and programmed an unbelievably realistic acoustic drum sampler?).  The list goes on, you have no idea if the singer can really sing or not (what if he or his partner is just an amazing producer who flawlessly pitch-corrected his performance?), etc.

The ONLY judgments you can make are: I like the way these drums sound; the singer's voice is a bit annoying; the guitar is mixed too loud; etc.  THESE are qualities of the music and THESE are what should be judged.  If the attributes I mentioned in the previous paragraph truly mattered to the listening experience, you'd be unable to judge whether the aforementioned CD-R sounds good or not.  The truth is that I know you WOULD be able to judge it, because I know that if you heard a song on the radio, you wouldn't have to read the Wiki on the band before you thought to yourself "This sounds good" or "This sounds like ass."

Now, with regard to the process/means, as I said it's very important outside of the listening experience.  For instance, I have a lot of respect for musicians who conceive music largely for a certain instrument and then obtain a degree of technical proficiency which allows them to fluidly realize that music.  Hell, John Petrucci influenced me to practice guitar 6 hrs/day and I kept it up for about 6 months.  I also like hearing about certain methods of composition (such as the Opeth example above), as they could be useful to me as someone who writes music.  It's always great when musicians find processes that result in themselves or their band making great music.

Your situation is the following:  You genuinely like Opeth, Miles Davis, etc. and genuinely don't like pop.  The reasons why are basic issues of taste (ex. simply prefer Miles Davis's trumpet solos to Justin Timberlake's vocal harmonies).  You also have an admiration for the means your favorite musicians have developed for realizing their own particular style of music (technical skill on an acoustically-based instrument, improvisation technique, etc.).  Now, your error is in relating the pleasure of the listening experience to your admiration for your favorite musicians' means.  Thus, in equating pleasure with admiration for means you assume that since you don't get any pleasure out of pop music, the means that its musicians use to create their music must be inherently flawed (which is why you're shitting all over every convention in the creation of pop music).  I've already shown with the hypothetical example above how ultimately irrelevant the means are to the end.  As I said, in actuality your qualms with pop music are simple issues of taste (ex. you don't like how mechanical and rigid it sounds).  I bet if you found Justin Timberlake's music catchy you'd be much more accepting of pop music recording practice.

By the way, the danger in the excessive importance you put on the means is that it limits you as a musician.  Because your error results in an apprehension towards pop recording conventions, you will always be prejudiced towards them and never be willing to attempt to use them to make something you actually do like.

With regard to my own music, I have a pretty decent voice.  It's slightly on the "rock" side but pretty sing-songy (I think I sound a lot like Josh Homme of Queens of the Stone Age).  A lot of what I write and what I'm inspired to write is instrumental, often completely electronic.  Being a big fan of a lot of pop music and extreme musical clarity a la Mozart (and Rihanna for that matter), it influences my music.  I imagine that if my voice sounded like Justin Timberlake's and I recorded a very electronic, poppy song, you'd hate it because it was written by a big group of uninspired songwriters and sung by someone who had never composed a note in his life, right?
Title: Best Rihanna Single
Post by: Wash Cycle on July 26, 2007, 05:45:03 am
well you pretty much trashed me there

but at the same time, it is impossible to listen to music in the hypothetical situation that you have created. Maybe this is part of the 'mature listening experience' that you have mentioned previously, but I'm gonna be a dick here for a second. I think that this sense of open-mindedness that you have given yourself is merely something you've come up with to justify your guilty pleasures. You enjoy Justin Timberlakes music, or Rihanna or whatever, but the difference between you and I here, is it that while yeah I may find something that I like, I still realize that the music I am listening to is pretty much awful by all musical standards. You listen to music based upon how much pleasure you get out of hearing it. Many people do... and I dont think that there is anything wrong with pleasure seeking, I have hedonistic tendencies, but I also consider myself an artist and thus there is far more to get out of embracing other people's work in the field than simple amusement or enjoyment.

I disagree that I would appreciate and approve of pop music recording process if I enjoyed pop music. case and point: I hate the sound of animals fighting. I absolutely cannot stand their music, but I absolutely love the way that they record music. It is a brilliant idea, but the final product of their experimentation is jarring and not pleasant to listen to. Thus conversely I make my case.

but anyway, I am a musician first and foremost, I listen to a lot of music for reasons other than pleasure, and I think that this is at the heart of why I dislike pop music. There is nothing for me to get out of it. Granted I'm not saying I dont listen to music to gain pleasure from it, but at the same time, I feel that listening to music improves me as a musician. One does not become good at something without imitating those who have come before, no one sits down at an easel and paints Starry Night, you know what I mean? Often times, the music I listen to, I listen to first to get a musical idea out of it, a certain emotion or vibe that is unique to a particular artist (and especially in my case, with the drummers). I have always been a jazz drummer, but for the longest time my style was stagnant, and then I discovered bebop and cool jazz, and the drummers therein opened up a whole new rhythmic world for me, the jarring syncopation and accent patterns completely revolutionized the way I play music. I dont get that from Justin Timberlake, and since I dont find his melodies to be catchy or find his voice to be interesting, I dont enjoy it, and thus there is no reason for me to listen to his music.

I suppose that puts me in no place to judge whether his music is 'good' or 'bad', but I can certainly say from my standpoint that it is completely devoid of substance and thus worthless to me
Title: Best Rihanna Single
Post by: Memoria on July 26, 2007, 07:03:57 am
well you pretty much trashed me there

but at the same time, it is impossible to listen to music in the hypothetical situation that you have created.

It's really not and I know this because it's the way I listen to music (and the way I've been listening to music since around age 16).  I also have a diverse range of friends who have no problem listening to music this way as well.  In fact, it's been a long time since I've even had this argument because it's such a given in my usual musical circle.

Listening to classical music in any other way greatly short-changes the experience.  Some composers are almost completely incomprehensible any other way (ex. Bach, Schoenberg, Xenakis).

Quote
Maybe this is part of the 'mature listening experience' that you have mentioned previously, but I'm gonna be a dick here for a second. I think that this sense of open-mindedness that you have given yourself is merely something you've come up with to justify your guilty pleasures. You enjoy Justin Timberlakes music, or Rihanna or whatever, but the difference between you and I here, is it that while yeah I may find something that I like, I still realize that the music I am listening to is pretty much awful by all musical standards. You listen to music based upon how much pleasure you get out of hearing it. Many people do... and I dont think that there is anything wrong with pleasure seeking, I have hedonistic tendencies, but I also consider myself an artist and thus there is far more to get out of embracing other people's work in the field than simple amusement or enjoyment.

...

Why is it so difficult for you to just say that you don't like something because you don't dig the way it sounds?  Of course Rihanna's music is a lot different stylistically than Prokofiev's but neither one is necessarily anymore pleasurable than the other to me.  This distinction you make between candy and vegetables just does not exist for me.  I listen to all genres with the exact same ears and I'm willing to completely submit myself to any music and experience it on its terms (listen to it as fun music if it's designed to be fun, somber if designed to be somber, campy if designed to be campy, etc.).  I pay just as much attention to a Beethoven Symphony as I do a Christina Aguilera song.  I get as much raw, euphoric pleasure from Justin Timberlake as I do Bach; of course they elicit this from me in completely different ways, but they still both supply genuine, chills-down-the-spine, moist-eyed pleasure.  The way you break music up into two brands of pleasure, one genuine and one frivolous, is simply a result of your erroneous thinking that I pointed out in my last post, which results in undue prejudice towards genres you don't like with creative processes that differ from your own.  It's your loss, though.

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I disagree that I would appreciate and approve of pop music recording process if I enjoyed pop music. case and point: I hate the sound of animals fighting. I absolutely cannot stand their music, but I absolutely love the way that they record music. It is a brilliant idea, but the final product of their experimentation is jarring and not pleasant to listen to. Thus conversely I make my case.

Rephrase...I have no idea what you're trying to say.  Animals fighting, recording music, what?

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but anyway, I am a musician first and foremost, I listen to a lot of music for reasons other than pleasure, and I think that this is at the heart of why I dislike pop music. There is nothing for me to get out of it.   Granted I'm not saying I dont listen to music to gain pleasure from it, but at the same time, I feel that listening to music improves me as a musician. One does not become good at something without imitating those who have come before, no one sits down at an easel and paints Starry Night, you know what I mean? Often times, the music I listen to, I listen to first to get a musical idea out of it, a certain emotion or vibe that is unique to a particular artist (and especially in my case, with the drummers). I have always been a jazz drummer, but for the longest time my style was stagnant, and then I discovered bebop and cool jazz, and the drummers therein opened up a whole new rhythmic world for me, the jarring syncopation and accent patterns completely revolutionized the way I play music. I dont get that from Justin Timberlake, and since I dont find his melodies to be catchy or find his voice to be interesting, I dont enjoy it, and thus there is no reason for me to listen to his music.

I listen to all music for pleasure and of course as a music fan and composer myself I learn from the music by noticing what parts of the music I enjoy the most.  This is different from factoring the means into the aesthetic experience because these things I'm noticing are purely sensory (or extra-sensory if used for aesthetic purposes; campiness).  The irony of this little quoted bit is that you actually sound like you agree with me here.  You don't enjoy Timberlake's voice, his melodies, or anything about his music.  Thus, it's not a pleasurable experience and there is nothing to learn from it (because there are no especially pleasurable parts to notice).  Nothing wrong with that.  All you're saying is that Timberlake doesn't line up with your taste, which is exactly what I've been trying to get you to realize since this argument began.  You're right, there is no reason for you to listen to it, just like there's no reason for me to listen to most jazz, because it's not very pleasurable to me and I also gain nothing from it as a consequence.

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I suppose that puts me in no place to judge whether his music is 'good' or 'bad', but I can certainly say from my standpoint that it is completely devoid of substance and thus worthless to me

Completely devoid of substance in relation to your own personal taste, yes.
Title: Best Rihanna Single
Post by: Wash Cycle on July 26, 2007, 03:18:39 pm
Why is it so difficult for you to just say that you don't like something because you don't dig the way it sounds?  Of course Rihanna's music is a lot different stylistically than Prokofiev's but neither one is necessarily anymore pleasurable than the other to me.  This distinction you make between candy and vegetables just does not exist for me.  I listen to all genres with the exact same ears and I'm willing to completely submit myself to any music and experience it on its terms (listen to it as fun music if it's designed to be fun, somber if designed to be somber, campy if designed to be campy, etc.).  I pay just as much attention to a Beethoven Symphony as I do a Christina Aguilera song.  I get as much raw, euphoric pleasure from Justin Timberlake as I do Bach; of course they elicit this from me in completely different ways, but they still both supply genuine, chills-down-the-spine, moist-eyed pleasure.  The way you break music up into two brands of pleasure, one genuine and one frivolous, is simply a result of your erroneous thinking that I pointed out in my last post, which results in undue prejudice towards genres you don't like with creative processes that differ from your own.  It's your loss, though.
I also have an extreme issue here, and this is mostly on principle. If I know that the music that I'm listening to was made for one reason, to be marketed to the masses, then I am much less apt to like it. And your pure listening experience argument doesnt apply here either, becuase I can tell what something is by listening to it. I can tell the difference between music in the 'pop' genre made by people who are musicians (for example Maroon5) and those who are not (Fergie) just by listening to it. If the people are only making the music to make money then I am going to have some serious issues with it and thus most likely not enjoy it.
Quote
Rephrase...I have no idea what you're trying to say.  Animals fighting, recording music, what?
The Sound of Animals Fighting is a band, look them up, their recording process is difficult to describe concisely, but it is fascinating imo

Quote
I listen to all music for pleasure and of course as a music fan and composer myself I learn from the music by noticing what parts of the music I enjoy the most.  This is different from factoring the means into the aesthetic experience because these things I'm noticing are purely sensory (or extra-sensory if used for aesthetic purposes; campiness).  The irony of this little quoted bit is that you actually sound like you agree with me here.  You don't enjoy Timberlake's voice, his melodies, or anything about his music.  Thus, it's not a pleasurable experience and there is nothing to learn from it (because there are no especially pleasurable parts to notice).  Nothing wrong with that.  All you're saying is that Timberlake doesn't line up with your taste, which is exactly what I've been trying to get you to realize since this argument began.  You're right, there is no reason for you to listen to it, just like there's no reason for me to listen to most jazz, because it's not very pleasurable to me and I also gain nothing from it as a consequence.
but see when you look at it objectively, jazz is far superior to pop music in literally every way except for the enjoyment factor that people get out of it at the macro level. The difference between you and I is that you're all about the subjective experience, and I take the objective into account more when I listen to music.

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Completely devoid of substance in relation to your own personal taste, yes.
Because Justin Timberlakes lyrics (that he didnt write) and song structures (that he didnt write) are soooooooooooooooooooooooooooo interesting.
Title: Best Rihanna Single
Post by: Memoria on July 26, 2007, 04:58:27 pm
I also have an extreme issue here, and this is mostly on principle. If I know that the music that I'm listening to was made for one reason, to be marketed to the masses, then I am much less apt to like it. And your pure listening experience argument doesnt apply here either, becuase I can tell what something is by listening to it. I can tell the difference between music in the 'pop' genre made by people who are musicians (for example Maroon5) and those who are not (Fergie) just by listening to it. If the people are only making the music to make money then I am going to have some serious issues with it and thus most likely not enjoy it.

You cannot tell this just by listening to it, as I pointed out earlier.  Like I said, if my voice sounded like Timberlake's and I recorded an electronic poppy song, posted it here and said it was by a new pop artist, you'd hate it because the singer had nothing to do with the writing and that it was just a money machine, which would of course be completely false.  Timberlake has songwriting credits on every track on his most recent album, I imagine if you'd actually listened to his music, you in all your psychic glory would somehow be able to detect that he is one of three songwriters for "SexyBack" and one of four songwriters for "My Love," right?

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The Sound of Animals Fighting is a band, look them up, their recording process is difficult to describe concisely, but it is fascinating imo

Yeah, caps would've helped.  I looked up their recording process.  Look at my last post:

"which results in undue prejudice towards genres you don't like with creative processes that differ from your own"

I should add "significantly" after "differ."  This band has enough in common with the means by which the musicians you DO like make music for you to be sympathetic.  They play standard instruments and improvise, which are things that you admire in the bands you actually like and attribute to a positive listening experience, thus your sympathy in this regard allows you to be more open-minded to their ideas.

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but see when you look at it objectively, jazz is far superior to pop music in literally every way except for the enjoyment factor that people get out of it at the macro level. The difference between you and I is that you're all about the subjective experience, and I take the objective into account more when I listen to music.

There are no "objective" factors on which to base this superiority; I've already shown you why all these "objective" factors are irrelevant.  The only objective qualities of music are concrete sensory attributes (ex. trebly vs. bassy; loud vs. soft; etc.) and things like form (but not form's value, only its nature).

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Because Justin Timberlakes lyrics (that he didnt write) and song structures (that he didnt write) are soooooooooooooooooooooooooooo interesting.

His lyrics fit the music and the song structures cater to what I like most about the music: the tonal and timbral arrangement, and yes that is interesting within pleasure (as is any music that one likes).  And as I said Timberlake has songwriting credits on every one of his tracks on his most recent (and best) album.

Bottom line: I've already showed you very clearly why all this "objective" criteria that you demand of music is ultimately irrelevant.  You never actually argued my points; you've basically just ignored them and continued treating these ideas as relevant.  This is called dogmatism and basically it's obvious that you're unwilling to question your musical positions under any circumstances (which is a shame; almost the entirety of my philosophy regarding both music and life has arisen out of questioning my beliefs in the context of discussion).  I had a gut feeling that you'd be unwilling but I gave you the benefit of the doubt and continued the discussion because I know that strong feelings toward something don't necessarily imply dogmatism.  But basically there's no point in arguing with someone if that person is unwilling to question his position, so I'm not going to bother anymore.

EDIT:  If you're genuinely open to questioning your positions then you don't fully understand my points logically (because you keep bringing up things that I've already refuted without addressing that refutation), in which case I just don't have the stamina and motivation to make it crystal clear for you.  Virtually my entire argument against what you've said in your last post can be logically deduced from my previous post.

EDIT 2:  Actually my bad, virtually my entire argument against what you've said in your last 2 posts can be logically deduced from the post I made before my previous post.
Title: Best Rihanna Single
Post by: Wash Cycle on July 26, 2007, 05:41:53 pm
Well Jeff and I beat this horse dead several times over in irc this morning, and there is really nothing to be gained from discussing this any further. I'm not just going to all of a sudden completely reverse my mode of thinking, but the gears are turning... I feel a change in the proverbial wind.

I still do not like pop music, nothing is going to change that. It bores me, I have little-to-no respect for, and in fact harbor anger towards people who have taken what I consider to be art and made millions off it by diluting it so that it can be spoonfed to the masses. What will change now is how I treat other people and how I interperate things as being objective/subjective.

Clearly though, you are far more educated about music than I am, you study music in college or whatever you're doing. You're more qualified to make objective judgements on music, and yet you discard them in favor of the subjective experience, which you have hinted at as being the 'mature listening experience'. You listen to music to gain pleasure from it, I listen to music for different reasons and therein lies the subjective difference in taste between the two of us. Ultimately no one is better or worse for it in the end.
Title: Best Rihanna Single
Post by: PUNJABIBLOOD666 on July 26, 2007, 06:56:47 pm
uh didn't read this topic but justin timberlake rules
Title: Best Rihanna Single
Post by: cowardknower on July 26, 2007, 10:13:14 pm
I'm not going to read all these posts, but the line between someone being an artist and being a product lies in motivation.  I know this is cliche, but making music TO make money is not art.  Making music for the genuine love of music and exploration of concepts IS art.

We can't really say she is an artist or she is not an artist without knowing the motivation behind her work.

On another note, its pointless to argue whether or not pop music is art.  The answer is simply NO.  Most of it isn't art.  It isn't meant to be art though!  It isn't even meant to be really LISTENED to.  Normal folks who have an average understanding of music don't WANT it to be art.  They don't wanna have to think about what they are listen to.  The question really lies in whether or not they SHOULD want to think about what they are listening to and if there is something wrong with the general public's attitude in that respect.

I mean blah blah blah it goes back to a FAST FOOD INSTANT GRATIFICATION CULTURE ultimately etc etc philosophical schpiel.  Whatever!


<edit> hahaha oh wait just skimmed a little more and it looks like all my points were kinda covered by both of you.  i lose.
Title: Best Rihanna Single
Post by: blood hell on July 27, 2007, 01:36:16 am
heh couch dont you make sounds for money
Title: Best Rihanna Single
Post by: Feldschlacht IV on July 27, 2007, 01:40:31 am
I don't really give a shit about this debate (with all due respect) so I'll just say that I find SOS to be pretty catchy.
Title: Best Rihanna Single
Post by: Vellfire on July 27, 2007, 02:03:25 am
I don't know if this will affect any opinions put out in this topic, but she is now selling actual umbrellas with her name on them.  Great job.
Title: Best Rihanna Single
Post by: Memoria on July 27, 2007, 02:26:40 am

Clearly though, you are far more educated about music than I am, you study music in college or whatever you're doing. You're more qualified to make objective judgements on music, and yet you discard them in favor of the subjective experience, which you have hinted at as being the 'mature listening experience'. You listen to music to gain pleasure from it, I listen to music for different reasons and therein lies the subjective difference in taste between the two of us. Ultimately no one is better or worse for it in the end.

You're overrating a formal education in music.  I only mentioned my musical background in the other thread to show you the dangers of stereotyping.  Most music programs are geared towards performance, form/theory, and history in that order.  Even history is typically presented in a mostly technical manner.  These kinds of discussions and issues are more the stuff of philosophy, English, and (visual) art pedagogy.  I think it's unfortunate that musical pedagogy is lacking in this regard (so do a lot of professors, I'm sure, and it was interesting to see how my freshman music history professor tried to work this kind of discussion into the class, although it was pretty lightweight), but that's a completely different topic.  Only two people I regularly discuss music with have any formal music training at all, and one just has training in theory (no form, analysis, counterpoint).  There's only one person I've ever had an involved musical discussion with at my school, and even then it was comparatively lightweight.  The only way to engage yourself in this fashion in a standard music program is to directly sit down with professors and talk.  There's only one professor I've had good discussions with so far but 3rd and 4th year theory students at my school are required to do independent studies, which are projects the students choose themselves (research, composition, etc.) supervised by a suitable faculty member.  So those will be excellent opportunities to grow as a musician through direct conversation with them about important musical issues.  (A bit off topic but I don't want you to have any misconceptions about what it means to be a music major if you plan on being one, assuming you're 17 like it says in your profile.  Most people in music programs are no more or less "qualified" to have this discussion than you are.)

Secondly, our dispute has nothing to do with objectivity/subjectivity.  We both look at objective truths and make subjective judgments about them; our difference is in our choice of objects with regard to the listening experience (again, I consider the bulk of your choice irrelevant).

Thirdly, I don't look down on you for holding the opinion you do.  It's not uncommon; there's even a name for it ( http://en.wikipedia.org/wiki/Rockism ).  Your flavor of rockism is different from that of a lot of 50-year-old Doobie Brothers fans, but it's rooted in the general idea nonetheless.  It's simply a contemporary, rock-oriented form of a division between high and low art.  Such divisions have existed for a long time and have historically been often associated with class elitism, but today it seems more often associated with cultural elitism within class.  The thing is, though, the concept of a division between high and low art is from what I can tell mainly associated with critics and listeners (who generally make such a division usually for the aforementioned elitist reasons).  Among artists, this division has largely been nonexistent: Josquin and others wrote masses on popular tunes, Wagner played theater tunes by ear on the piano, Bartok and Kodaly incorporated into their music tunes and ideas from eastern European folk music, Schoenberg is especially notable for the way he integrated German cabaret into his music, countless composers including Bolcom and Stravinsky have incorporated ragtime into their music, not to mention once you get to John Cage, postmodernism, pop art, etc. even the philosophy evolves in the eyes of critics (and more explicitly in the eyes of artists) to destroy any division between high and low art that might have existed.  Still, though, I even think those arguing for a division in bygone eras would disagree with your reasoning in relation to the means/ends; they would more likely just create certain requirements that the ends must satisfy to be considered "high art" (ex. a musical piece must develop organically to be considered high art).  Rockism is just an unfortunate musical prejudice that has grown out of the same basic attitude a lot of elderly people today had (or still have) towards rock music.  I think in a large way our society breeds it (virtually everyone who gets into music via rock falls into that trap initially, and a lot of people remain in it).

Anyway, enough of this, back to Rihanna.  I was shown this yesterday ( http://www.totes-isotoner.com/category/totes/rihanna+.do ).   :laugh:​  Best.idea.ever.  I'm totally ordering one (that cheap, pink one  :grin: ).

AHH Velfarre beat me to it!!
Title: Best Rihanna Single
Post by: Memoria on July 27, 2007, 02:59:42 am
uh didn't read this topic but justin timberlake rules

Have you heard the new single with 50 Cent ("She Wants It")?  Timbaland was involved, too.  It's probably one of my favorite Timberlake-Timbaland collaborations.  I'm not a 50 Cent fan (boring flow, just overall boring rapper) but he fits into the track perfectly while Timberlake's vocals and Timbaland's crazy beat just take it to another level.

http://nobodydancenomore.blogspot.com/2007/07/she-wants-it.html
Title: Best Rihanna Single
Post by: cowardknower on July 27, 2007, 03:36:05 am
heh couch dont you make sounds for money

heh guez imnot artis then huh
eh its a slippery slope.  i think theres a difference between making music TO get money and getting money FOR making music.  like my primary reason for writing music is because i love it and since i love it so much i would like to be able to do it all the time and the best way to do that would be to try and build a career off of it cause i need money to survive and continue writing etc.
<edit> ps wait why am i responding seriously to a joke :(
Title: Best Rihanna Single
Post by: Wash Cycle on July 27, 2007, 03:46:03 am
I dont know.. I kind of want to study musicology

I know I'm going to get my undergraduate degree in Anthropology, but I would like to do graduate work at like the University of Hawaii's musicology school

that would be bitchin
Title: Best Rihanna Single
Post by: Vellfire on July 27, 2007, 12:48:10 pm
Anyway, enough of this, back to Rihanna.  I was shown this yesterday ( http://www.totes-isotoner.com/category/totes/rihanna+.do ).   :laugh:​  Best.idea.ever.  I'm totally ordering one (that cheap, pink one  :grin: ).

AHH Velfarre beat me to it!!

yeah except you find it awesome and i find it really dumb

i mean i'm all for merchandising but anyone that was talking about SYMBOLISM and stuff...this kind of stabs that in the ribs

It's like if Johnathan Swift sold chocolate babies.  Suddenly A Modest Proposal would start looking pretty dumb.
Title: Best Rihanna Single
Post by: Memoria on July 27, 2007, 03:51:29 pm
yeah except you find it awesome and i find it really dumb

i mean i'm all for merchandising but anyone that was talking about SYMBOLISM and stuff...this kind of stabs that in the ribs

It's like if Johnathan Swift sold chocolate babies.  Suddenly A Modest Proposal would start looking pretty dumb.

Pop music is typically such a well-stirred mixture of seriousness and campiness that a Rihanna-brand umbrella is not out of place at all.
Title: Best Rihanna Single
Post by: cowardknower on July 27, 2007, 03:52:20 pm
well i mean it could still be like the ultimate jone of the impressionable american youth
doubt it though
Title: Best Rihanna Single
Post by: Vale on July 30, 2007, 06:31:51 pm
RnB/Pop music similiar to RnB in a whole is just wrong. Sure, the singing maybe great but I want to hear more of the MUSIC not stupid talk about 'loving' somebody plz ok thx
Title: Best Rihanna Single
Post by: Cray on October 29, 2007, 05:53:49 pm
you people make it sound as like pop producers/singers don't even like music, no one makes music JUST for money, even the pop-per of pop artists, has to enjoy music to be able to produce it. it's too much of a work to do if you don't even like music for starting.
think about this, everyone likes money, and every artist likes music, the only difference is how much they like money and hoy much they like music, but it's not like popr artists only care about money, and the rest only care about music, things aren't as black and white, you know? What if I was a really great singer, with an awesome vocal range, and impressive skills, and realized it, and then decided to make profit of it? just because I care about money, doesn't limit my skills as an artist.
Title: Best Rihanna Single
Post by: Lars on October 29, 2007, 07:19:33 pm
you people make it sound as like pop producers/singers don't even like music, no one makes music JUST for money, even the pop-per of pop artists, has to enjoy music to be able to produce it. it's too much of a work to do if you don't even like music for starting.
think about this, everyone likes money, and every artist likes music, the only difference is how much they like money and hoy much they like music, but it's not like popr artists only care about money, and the rest only care about music, things aren't as black and white, you know? What if I was a really great singer, with an awesome vocal range, and impressive skills, and realized it, and then decided to make profit of it? just because I care about money, doesn't limit my skills as an artist.
so compromises do not exist

ok thx m8, good thing u bump'd dis thread here for dat


also havent relay herd rhianna exect for when goin out n i dun rly pay atntn to r & b LOLXD
Title: Best Rihanna Single
Post by: Cray on October 29, 2007, 08:07:38 pm
oops didn' t looked at the date, but the thread was on top of page 2 I guessed it woud be okay.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on October 29, 2007, 08:20:08 pm
no one makes music JUST for money

http://www.nypost.com/seven/06062007/entertainment/music/teenage_tasteland_music_maureen_callahan.htm?page=0

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“All the bands judge each other by how much merch they sell,” says Daniel.
Title: Best Rihanna Single
Post by: Cray on October 29, 2007, 08:57:32 pm
that doesn't mean that the band themselves don't enjoy making music.
Title: Best Rihanna Single
Post by: Shepperd on October 29, 2007, 09:32:44 pm
I learnt to not hate mainstream music even coming from a girl.

Something must be wrong with me isn't it?
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on October 29, 2007, 11:44:15 pm
that doesn't mean that the band themselves don't enjoy making music.

and why does this matter.

you addressed a point I don't think anyone brought up; they were speaking as to the ethics of the majority of mainstream acts and you took it to mean THEY DONT EVEN ENJOY THEIR JOBS.

and a lot of people don't enjoy making music. Jeff Mangum comes to mind, or if you want someone mainstream, Kurt Cobain killed himself rather than make more "sellout" music.

it would be one thing if your bump had been interesting at all but it was just kind of weird!

THEY ENJOY MAKING THEIR MUSIC ERGO NOTHING.
Title: Best Rihanna Single
Post by: DS on October 30, 2007, 12:18:09 am
i listen to justie when im feelin down... reminds me things could be worse

surprisingly uplifting music
Title: Best Rihanna Single
Post by: tomohawkjoe on October 30, 2007, 04:49:17 am
Kurt Cobain killed himself rather than make more "sellout" music.
Whats the best thing Kurt Cobain has ever released


Quote
Wentz himself aspires to be like his mentor and Island/Def Jam president Jay-Z
I found this to be very interesting.

I think this topic should be renamed the "Music for Money" thread or sumthin, because the subject of which of Rihanna Single's do you like the most is far gone.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on October 30, 2007, 06:16:06 pm
i listen to justie when im feelin down... reminds me things could be worse

surprisingly uplifting music

anyone who seriously dislikes Justin Timberlake's new album has no taste at all!

although this Rihanna album sucked kind of (Memoriaaaaaaaaaaaaaa).
Title: Best Rihanna Single
Post by: Beasley on November 01, 2007, 03:04:39 am
anyone who seriously dislikes Justin Timberlake's new album has no taste at all!

although this Rihanna album sucked kind of (Memoriaaaaaaaaaaaaaa).

wait steel are you being serious? i was under the impression timberlake was just a product of mediocre pop!! maybe i will have to check him out!(?)
Title: Best Rihanna Single
Post by: Doktormartini on November 01, 2007, 03:56:19 am
Whether you love or hate the song Umbrella, you can't deny that this is pretty awesome!
http://www.youtube.com/watch?v=3gkMvpSWxKs
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 01, 2007, 04:01:41 am
wait steel are you being serious? i was under the impression timberlake was just a product of mediocre pop!! maybe i will have to check him out!(?)

it's incredibly good music. it's almost all lighthearted but he has great rappers back him up, the production is insane, and the song LoveStoned is one I think I could listen to every day of my life. it goes from silly little "I see a pretty girl" to sad contemplative "does she know what she does to me" shit.

he's the Michael Jackson of our time imho.
Title: Best Rihanna Single
Post by: PTizzle on November 01, 2007, 05:29:34 am
Pon De Replay, for sure. The only song of hers I'd actually play. It's quite catchy.

I do like Jay-Z on Umbrella though, and that song was catchy for the first few plays (but got old quick).

She's steaming hot in the Shut Up and Drive video.


EDIT: I dunno if you were joking dangerousned, but I do think Timberlake has an assload of talent. I though he was a totally meh pop artist but his latest album with Timbaland was above and beyond anything I ever thought he could do. I genuinely enjoyed that album. I still play Chop Me Up on mixes.
Title: Best Rihanna Single
Post by: Impeal on November 01, 2007, 05:38:58 am
EDIT: I dunno if you were joking dangerousned, but I do think Timberlake has an assload of talent. I though he was a totally meh pop artist but his latest album with Timbaland was above and beyond anything I ever thought he could do. I genuinely enjoyed that album. I still play Chop Me Up on mixes.
Yeah, I think Timbaland was the reason the album was so good. But he also worked on Justin's first solo album, and that one wasn't very good, so I dunno it's weird.

Also, Rihanna opened the Akon show I went to, and I thought she was really hot (but also very boring).
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 01, 2007, 06:05:42 am
why does anyone think I am kidding ffffff.

this was an album that got a lot of accolades, if I was joking I would bring up idk some really shitty metal!
Title: Best Rihanna Single
Post by: tomohawkjoe on November 01, 2007, 06:49:00 am
why does anyone think I am kidding ffffff.

this was an album that got a lot of accolades, if I was joking I would bring up idk some really shitty metal!

Heyyoooohhh.

As for Justin, I'm not really a fan of his music, but I gotta admit, the stuff I've heard from him recently seems to be a lot more "polished" than his previous stuff.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 01, 2007, 07:35:28 am
http://www.youtube.com/watch?v=GIYXHLlxD8U

seriously this song rules (too bad it's edited to be a single in this and the full version is even better).
Title: Best Rihanna Single
Post by: Wash Cycle on November 01, 2007, 08:45:37 pm
why does anyone think I am kidding ffffff.

this was an album that got a lot of accolades, if I was joking I would bring up idk some really shitty metal!
because its justin fucking timberlake (I'll need to see him perform live before I believe that the schlock vocals that he puts on his albums are even real and not studio doctored in the first place)
Title: Best Rihanna Single
Post by: Beasley on November 01, 2007, 09:38:14 pm
he is as good live as he is on an album, i saw some of his concert on HBO
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 01, 2007, 10:13:00 pm
because its justin fucking timberlake (I'll need to see him perform live before I believe that the schlock vocals that he puts on his albums are even real and not studio doctored in the first place)

I'm gonna write some words GET READY but first off yes he sounds like that live and has proven himself as a live performer.

It's interesting that you point out the studiodoctoring as a negative. It has always been my opinion that technical ability was mastered a long time ago; Bach's fugues are so complex entire volumes have been written on them, and opera has been doing great voices for years now. I'm going to assume you weren't speaking on a sheerly technical level when you expressed disgust for studio doctoring, but it's an interesting thought process.

I've always felt there was a trend in musical history of technical ability to honesty. Music scholars are now referring to it as "semiotics"; the ability of a work in relation to the audience as opposed to the technical study of music. I suppose the first real example of honesty in pop music had to be the Beatles; unexemplary technically, they excelled at conveying true emotions and ideas. There was a progression for a while, along with a few subgenres, but let's fast forward to the advent of electronic modifications, notably pioneered by Charles Dodge and those that came before him. When it was discovered the human voice could be modulated, the question naturally arose; can we modulate the human voice to the degree that it can convey honesty and emotion?

The truth, it seems, is we can...sort of. The fact of the matter is, the world as a whole has slowly removed itself from technical ability, valuing honesty and semiotic worth above it. The hairmetal era of Bon Jovi notwithstanding, we see more and more that the ability of singer stopped mattering in critical circles. Someone like Elliott Smith survived entirely on honesty, and atonal vocalists such as Jeff Mangum were critically acclaimed. The movement towards honesty would run into electronic modification like a dead fish hitting the docks, though.

Look at the modern pop scene. The music is all based on production, as is vocals. Mandy Moore, Ashlee Simpson, and Paris Hilton almost all had high selling albums, and all used vocal modification. Groups such as Nickelback and Hinder appeal to emotion more than "rocking out"; the song "Photograph" is supposed to elicit emotions of a kind of male cracking sorrow. Chad Kroeger wails, "Every memory of looking out the back door/I had the photo album spread out on my bedroom floor/It's hard to say it, time to say it/Goodbye, goodbye," something most people can empathize with...until one realizes Kroeger is being blatantly dishonest. He's about 30 years old; if you're still missing high school and if you seriously "wonder if it's too late/Should I go back and try to graduate?", especially when you're a multimillionaire musician, it's probably less likely you're being honest and more like honesty has been bought out.

So we see the modern pop scene as a grotesque scarecrow of honesty. It's not just music, but movies and television as well; people honestly believe a dying dog in Futurama or Dr. Cox from Scrubs not able to save a rabies patient is genuinely sad instead of maudlin hackery. Kroger and company fill the airwaves with their overproduced garbage that panders to basic emotions. I anticipate the day My Chemical Romance releases a song called "Everyone Hates Me" with the singular titular lyric.

The coopting of emotion may sound like a counterculture catchphrase, but it's something that can sort of be expected; the far more disturbing effect is people might actually believe that is genuine emotion. I've done it before; repetitions of phrases ("KK4 is an anti-semite. KK4 is a monster. KK4 is someone who believes in murder. KK4 is still posting at GW") and similar hackery kind of gets the job done, but perhaps worse, sometimes people believes it ISN'T hackery, but genuine appeals. I remember a story on SA that a member wrote which was so garbage I wanted to throw up and people were applauding it as if it was good fiction (some arguing it was FACT, despite the fact the story was written in false diary entries about a girl who says "HEH...GUESS I WON'T BE GOING TO PROM...*dies"). Tears in Heaven is an example of a song with honest motives but laden in so much dreck that it becomes vomit inducing.

There are so many perfect examples of this, the move back to the 1920s big band style of emotion filled crooning (with a few notable exceptions, like Frank J Wilson and the Cavaliers Last Kiss, which seems to be genuinely sorrowful and sad), and Linkin Park and Blink 182 are good examples. It all culminates in American Idol, where technical singers sing bullshit lyrics and people applaud. Indie moves towards minimalism and experimentalism to counter this, to provide an "honest" genre, but anyone who keeps up with the indie mainsteam knows how ridiculous that is.

And that is where Timberlake comes in.

Instead of removing production, he embraces it. Instead of faking emotional indie lyrics with metaphors and symbols, he becomes about as blatant and in your face as rap lyrics, using several rappers on the album. His experimentalism isn't with large orchestras but with production. And the result is among the most honest pop to come out in a while.

My favorite song on the album, LoveStoned, is a good example of this. It starts out with some fun beatboxing beats (Timbaland's production is multilayered and interesting, something he rarely pulls off well, let alone an entire album's worth) and Timberlake talking about how a woman he sees in the club "looks like a model, except she's got a little more ass", adding a slapping effect to the end. It's funny and he's having fun. He's being genuine in a way that production doesn't subtract from but adds to. The song builds and has a lot of fun. There's a distorted guitar (preceded by Timberlake saying "LEMME PUT MY FUNK ON THE GUITAR A LITTLE BIT") and the beat trails into a violin solo that starts hesitantly and stutters. The tone shifts. The beat cuts for a lone guitar. The violins come back, and Timberlake sings the previous chorus, sad and with an interesting stereophonic echo effect; "those flashing lights come from everywhere, the way they hit her I just stopped and stared." For a few minutes, you are there, seeing this woman, and it ends with Timberlake expressing in a weird blatant poignancy, "And now I walk around without a care/She's got me hooked/It just ain't fair, but I.../I'm love stoned and I could swear/That she knows/Think that she knows, oh, oh." In those few lines he expresses exactly what it's like to fall in love at first site, the song echoing that strange delirious slow motion state.

That is why Justin Timberlake's album is so good. Not because he's especially poetic or because he's experimental (although he very much is; the song structures are amazing at parts) but because he's honest. He likes to have fun and talk about things and generally doesn't need a gimmick. It's almost a postmodern album; an embrace of the most emotionally sapping production and yet songs of genuine merit and honesty.

That and this is some fun shit son! Rihanna's clearly just trying to pull off what Timberlake did here but lol didn't work as well!
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 01, 2007, 10:19:05 pm
I had a lot of grave oversimplifications and used examples I thought people would know so yes I am aware the Beatles were not first and I didn't talk about Joy Division or a lot of influential bands, I'M JUST PROVIDING A MARXIST CRITIQUE OF MUSIC HEH.
Title: Best Rihanna Single
Post by: Wash Cycle on November 02, 2007, 02:36:55 am
I had a lot of grave oversimplifications and used examples I thought people would know so yes I am aware the Beatles were not first and I didn't talk about Joy Division or a lot of influential bands, I'M JUST PROVIDING A MARXIST CRITIQUE OF MUSIC HEH.
well all that aside... I find the same pleasure in listening to jazz for the same reasons you find pleasure in timberlake. I've noticed over the course of a long while that lyrics mean a lot to you, all the bands you've recommended to me have great lyrics period end that is just how it is. You are a words dude. I am.. a notes dude. And thus I think that all this super produced electronic pop music is a cheapening of what I hold most dear, but at the same time I realize that I am not the target market for it anyway (also I highly doubt that people like Rihanna make music for any reason other than to make money anyway... and I can be regailed with 50 examples of people who arent that way, but I can certainly come up with 5 people who are like that to every 1 that isnt)

I guess what I am trying to say is... to each his own, but this stuff definitely isnt for me. This isnt do say I dont like music that is created electronically.. I just.. I dont get any sonic pleasure out of listening to repetitive synthesized music that is manufactured by people that arent musicians. This isnt also to say that I consciously think 'oh my this sounds created by a studio engineer I must HATE IT BY PRINCIPLE' when I am listening to music either but yeah I digress

I mean ffs the one musical thing that I get the most pleasure out of is modal jazz, so if you want to get all philosophical where you look at music from a marxist perspective, if you have to describe how I feel about music in a concise manner, I look at music from something more like kierkegaard's subjectivity, collective modal improv is very much like his idea of existence... to exist is not characterized by what you have, but by what was your past, your present and what your future will be. I want to hear groups of musicians that fucking understand music, and can play in a key but understand the concept of mode and chord substitution so that they can not only build on what has already happened, but consciously do whatever the fuck they want and still all be together because it doesnt matter what they are going to do next so long as they maintain the root tones. There is a reason that Kind of Blue is the greatest selling jazz album of all time, the moods and emotions that Miles conveys through the different emotional qualities attached to the tones of each mode touched a lot of people. Its powerful fucking stuff, and it is that which I seek in music.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 02, 2007, 02:52:16 am
well all that aside... I find the same pleasure in listening to jazz for the same reasons you find pleasure in timberlake. I've noticed over the course of a long while that lyrics mean a lot to you, all the bands you've recommended to me have great lyrics period end that is just how it is. You are a words dude. I am.. a notes dude. And thus I think that all this super produced electronic pop music is a cheapening of what I hold most dear, but at the same time I realize that I am not the target market for it anyway (also I highly doubt that people like Rihanna make music for any reason other than to make money anyway... and I can be regailed with 50 examples of people who arent that way, but I can certainly come up with 5 people who are like that to every 1 that isnt)

I guess what I am trying to say is... to each his own, but this stuff definitely isnt for me. This isnt do say I dont like music that is created electronically.. I just.. I dont get any sonic pleasure out of listening to repetitive synthesized music that is manufactured by people that arent musicians. This isnt also to say that I consciously think 'oh my this sounds created by a studio engineer I must HATE IT BY PRINCIPLE' when I am listening to music either but yeah I digress

I mean ffs Weather Report is one of my favorite bands (once you go josef you never go back)

I'm a little drunk so if I don't give this the attention it deserves or flesh out ideas, sorry!

I think it goes beyond target marketing. I mentioned the word semiotics previously; basically, symbology and the relation of the public to music. Something like the Beatles is a perfect example; a jazz piece can have a book written on it just from a technical perspective. Someone's already done this with the Beatles ( http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/awp-alphabet.shtml ) and the entire thing would barely fill a book. But the semiotic value of the work means that more people will say the Beatles are more talented than Bach or even Miles Davis, or at least, that they'd rather listen to the Beatles. Why? Is it because the entire population is ignorant or unappreciative? Or is it because music taps into the social consciousness more and more.

I think you're limiting yourself too much if you focus on technical ability. As an example, Amon Tobin, to those who really seem to get him (Hundley, Diggity, myself, etc), opens up entire worlds for us. Has he necessarily tapped into some technical prowess or a hook or something? No. It's because there's something he does semiotically that interests us, and when you hear him, transports you into an interesting state of mind.

As another example, an analysis of graphical art rarely doesn't take the culture at the time into account. Women of the past that were considered beautiful were more fullfigured than they are today; in order to appreciate the work, we have to move ourselves back.

Similarly, in order to appreciate pop, it's less an appeal to audience and assuming you can't follow it, and more an appeal to a mindset that most people are in at least once a day. Part of the beauty of relativist understanding is that a work can appeal to you for a different reason.

Basically, I think you limit yourself far too much if you analyze lyrics separately from music etc. Jazz is beautiful, and I would never say it's not amazing, but there is a different appeal to pop, and that's of a more relatable, achingly honest, vibe. Stars, a Canadian pop band I love, has vocals and lyrics that can just break you; the song "One More Night"s second verse opens with, "He starts with her back/because that's all he sees". Shit like that, it's honest and it's about YOU. And that is how you separate good pop from the schlock like Avril Lavigne ("Hey, hey, you, you, I want to be your girlfriend"? No you don't! You're married! And you actually don't sound like you want to be my girlfriend at all. Oh wait the last time I saw you you essentially threw me out FUCK YOU AVRIL WE COULD HAVE BEEN GOOD TOGETHER) or Nickelback.

Manufactured emotion is cringingly obvious, and the reason most pop sounds like Rihanna's Umbrella is because "fun" is the easiest emotion to recreate honestly (drink like three beers and you're there!); but I think you do yourself a disservice by not listening to emotional appeals outside of technical ability. It's not so much lyrics as it is presentation.

Honesty!!!
Title: Best Rihanna Single
Post by: Wash Cycle on November 02, 2007, 02:55:41 am
the problem comes when I cant tell who is honest and who isnt

so I just dont waste my time and go straight for the stuff that I know is the real deal (also as a musician it is hard not to analyze the music you are listening to... there are very few bands that I can just sit and listen to and not scrutinize every little part of what is going on and these are like.. the singer songwriters that I listen to.. Mark Knopfler, Bruce Cockburn, Stephen Stills, Tim Buckley etc etc who I think are for me what pop artists are for everyone else)

I dont know though... you mention Amon Tobin, and what I have heard from him sounds similar to Ulver's electronic music, which is something I am very into, and given everything that I've said here thus far would make that hard to believe... I guess I am just.. well I dont know really. I wouldnt necessarily say I dont listen for emotional appeals, because honestly as far as jazz goes.. if I was only looking for technical ability I would listen to Maynard Ferguson who has like the most amazing chops of any musician ever to have live ever (but his music is atrocious and I cant stand listening to it) no instead I listen to groups like Dave Brubeck Quartet and the 60s Miles Quintet and the Weather Report who were comprised of passionate musicians who poured their heart and souls into the music they were playing and laying down this honesty bit that you value (and thats not to say I dont value it, I think I just find it in different places). I guess that the difference for me is that musical passages give me the same emotional experience that lyrics and vocals give to other people and I just dont relate to the human voice as well as I do to instrumental notes.

ah well.
Title: Best Rihanna Single
Post by: tomohawkjoe on November 02, 2007, 03:24:52 am
I know I'm gonna sound like a tard here, but I'd figured I'd try and throw my 2 cents in.

I can honestly say that the first thing I notice or pay attention to is the sounds and notes that are in a song. I enjoy hearing the interaction between the musicians. So lyrics are not something I pay attention to, not because they aren't important, but because as a listener, they don't do much for me. Its not that I don't think that lyrics are pointless or don't have a role in music, its just for some odd reason, hearing notes ands sounds that just strike a chord with me (yes, I couldn't think of anything better to say). Listening to stuff like the end part of "Selkies..." and the piano solo on "Strange Meadow Lark" just stir something up in me. It has an emotional impact on me as well. I can't help but feel relaxed when I hear Strange Meadow Lark, or "amped" when I hear  Cast down the Heretic. Something about the way every single note interacts with each other (including a vocalist's use of his/her voice and how he/she sings along with the song) just amazes me. To be honest, a lot of my favorite bands are not known for having the best lyrics. But in all honesty, I've noticed that I pay more the music than the lyrics. Like wash said, I'm a notes kinda guy. Although their are a few bands that I do pay attention to the lyrics occasionally (Botch comes to mind), but for me, its really all about the sound. Again, its not that I don't consider lyrics to be unimportant, its just I can't really get into them. I have an easier time just listening to the music, which is why I enjoy stuff like Corea or Holdsworth. Music is meant to be enjoyed, if you enjoy something that a band/artist does, then listen to it. But thats just my 2 cents.
Title: Best Rihanna Single
Post by: The Ghost on November 02, 2007, 09:43:42 am
Danger you had some interesting pointts there. I agreed with a lot of the things you mentioned in your last post.

It's funny how so many people say "Rihanna Sux" when they haven't even heard of her, let her songs. There are others who probably heard like one song of hers, just read the replies for proof. I think she is ok and some of her songs are pretty good. I won't go out of my way and put her songs on my Ipod or anything but I don't mind listening to her if it's playing somewhere.

That Umbrella song isn't the greatest I know, it's not her best song imo. I really don't understand why a lot of people either ultimately embrace an artist/band or totally hate them.

Another thing is I noticed that even if people actually DO like Rihanna... They probably won't say they do and just agree with what everyone else is saying here. I noticed this even in the Linkin Park thread as well. I could tell some people actually liked the band but barely even tried to defend them onslaught of "THEY'RE CRAP, SELLOUT!". It was even worst to see some people liked them but were convinced not to like them, wtf?

I never ever really listen to Linkin Park at all so I have no comment on them.

Seriously, if you guys like an artist or band just say it. Who the fuck cares what everyone else here thinks.

A lot of people in Gamingw have one of the worst taste in music I've seen in my life. I really don't care if I get flamed for say saying this either.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 02, 2007, 04:11:01 pm
I would say Rihanna is okay. I mean, she has fun, which like I said is an easy emotion to invoke. I think that chorus is pretty brilliant.

The problem in the single is how much she sped up her voice in a few parts; I actually found that way more annoying than EY EY EY.

also I will write a reply to the other two...RIGHT NOW.

Quote
the problem comes when I cant tell who is honest and who isn

I wouldn't say it is at all unless you are completely subtracted from the human experience. EXPLAINING what makes it better might be difficult, but a few examples should illustrate my point:

http://www.youtube.com/watch?v=cQ25-glGRzI

This is Avril Lavigne's song. Ignoring what you know about her (that she is married and therefore can't be your girlfriend!), the very presentation is hokey. Cheesy guitars, cheesy shit like that. Instrumentation and vocals, even the video, it's all rather nauseating, and I think you can objectively say the semiotic worth is to people who have no standard of quality.

http://www.youtube.com/watch?v=a2yJSFHTrgM

This is a single by Stars. The instrumentation is already rather interesting; you have an orchestral score. There's a nice duet element going on, and the lyrics, even if you don't pay attention, are rather good, just off the start. But more importantly, look what it expresses; an interesting song structure, buildups, the aforementioned duet. It's all rather interesting and honest stuff, subtracted from lyrics.

(Fun story: Steve accidentally punched the girl in this song in the face)

Now an example of looking ONLY at technical perpectives of music in pop.

http://www.youtube.com/watch?v=etNfP29vc28

This song has an extended and long bridge, interesting structure and tricks, and great buildups and instrumentation.

But this is the most DISHONEST music ever, and I think it's obvious from just listening. It's the difference between Ben Folds of the past and Ben Folds currently, between Joanna Newsom and Regina Spektor. They may sound similar, but the truth in each song just cracks way too much in some of these. Am I supposed to believe these girls are doing anything other than going through the motions? Because I don't.

It's not just lyrics; it's general presentation. It's something you can't really pindown technically, but that is no less tangible. I hated this album by Pain of Salvation, Scarsick, because it went from honesty (and when you are honest, it shows in better lyrics as well, so I'm not saying lyrics aren't factored) into...schlock.

WHO THE FUCK WRITES A SONG ABOUT MTV CRIBS.

Ugh I'm tired time for me to watch Top Chef.

Also Linkin Park blows technically, semiotically, emotionally, and only appeals to people with bad taste who aren't ready for metal :(
Title: Best Rihanna Single
Post by: dom on November 02, 2007, 06:15:20 pm
why does anyone think I am kidding ffffff.

this was an album that got a lot of accolades, if I was joking I would bring up idk some really shitty metal!

                                                                                 you are here

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serious                         ironic                                        pitchfork meta-taste
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 02, 2007, 09:28:38 pm
why do people ever think this.

I mean, I totally argued the new Radiohead was subpar, I dislike most indie acts (including Joanna Newsom who while honest annoys the fuck out of me), the only rap I talk about is the shit Pitchfork disregards like Chamillionaire and Godfather Don, and I think the Knife's Silent Shout was a horrible sounding album.

if by meta you mean the reverse of Pitchfork, I love the National (Boxer is the best album this year still and it's been a great year!) and thought Clipse had an incredibly underrated release with Hell Hath No Fury.

why is it completely unfathomable that something in the mainstream can be good? why does everyone think people like SB or myself are kidding? it's not like either of us have meta-taste (except with Pain of Salvation's Scarsick which is hilariously bad and thus enjoyable), and it's kind of amazing how many people are like "MAN...ARE YOU KIDDING..."

if I've never established myself as an IRONIC HIPSTER (note: never have ever! I've changed my mind a few times, notably on Joanna Newsom, Sage Francis, Regina Spekto, etc, but I've never pretended to like much ironically) and it's not a funny joke at all (HEH...I TRICKED YOU INTO LISTENING TO AN ALBUM A LOT OF PEOPLE SAID WERE GOOD...) why do you all think I'm kidding!

it's just a good album! give it a chance!
Title: Best Rihanna Single
Post by: dom on November 02, 2007, 10:05:42 pm
The problem is that even if you really do think it's a good album, and it may very well be by your tastes, it's definitely become an album where people only like it because pitchfork told them to.

And then there's the fact that it might be a decent album but I've heard a couple songs and it's nothing outstanding. I can see someone listening to it, but it has no real depth to it, which is fine, but I can't see why you would be able to listen to it seriously. I mean, I can say I occasionally enjoy listening to Andrew WK, because it's fun music and that's all there is to it. But I wouldn't claim that Andrew WK makes particularly good music.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 03, 2007, 12:04:58 am
The problem is that even if you really do think it's a good album, and it may very well be by your tastes, it's definitely become an album where people only like it because pitchfork told them to.

And then there's the fact that it might be a decent album but I've heard a couple songs and it's nothing outstanding. I can see someone listening to it, but it has no real depth to it, which is fine, but I can't see why you would be able to listen to it seriously. I mean, I can say I occasionally enjoy listening to Andrew WK, because it's fun music and that's all there is to it. But I wouldn't claim that Andrew WK makes particularly good music.

I've heard Andrew WK is a really nice guy btw from people that worked with him. I really hate his music and it's kind of an example of that synthpop music-devoid-of-passion stuff I talked about, but as a human being he's a really cool dude, so try and hang out with him after a concert.

And yeah, I'm aware of the pitchfork problem HIPSTER CRED etc, I just never thought I gave off the vibe that I was one of those people!

Also I just think it's an extraordinarily well polished pop album that really tries out some great stuff. It's experimental without pretense, and fun without sacrificing emotion. I don't really see how someone can make a better one without sacrificing either the symbological worth or the non-pretentious aspect. I actually had a bit of anti-hipster backlash towards the album, knowing how Pitchfork loves to do stupid shit like that, but I gave it a shot after hearing the My Love single and grudgingly tried to rest, and found it surprisingly solid.
Title: Best Rihanna Single
Post by: Cho on November 03, 2007, 01:32:48 am
Re: Rhianna:
"Don't Stop the Music" and "SOS" are pretty catchy!
"Unfaithful" is a song I can't listen to because I find the lyrics to be annoying ("Hey, cheating on my boyfriend makes me sad! I cheat on him a lot. It makes me feel bad though!").
I've never heard any of those other songs so I can't comment on them.

Quote
http://www.youtube.com/watch?v=GIYXHLlxD8U

seriously this song rules (too bad it's edited to be a single in this and the full version is even better).

The last two minutes or so of that song are an interesting change. I like it.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 03, 2007, 01:36:54 am
Yeah, you should get the album version if you like that. The first time I heard that transition, I was half asleep and not really listening and then WOKE UP and was like holy shit. Timbaland outdid himself and Timberlake provides just enough uh...soul, I guess is the term, to push it over.
Title: Best Rihanna Single
Post by: tomohawkjoe on November 03, 2007, 03:07:19 am
Your about to enter a realm
A realm where people actually have different taste in music
As unbelievable as it seems
it exist

Quote
I've heard Andrew WK is a really nice guy btw from people that worked with him. I really hate his music and it's kind of an example of that synthpop music-devoid-of-passion stuff I talked about, but as a human being he's a really cool dude, so try and hang out with him after a concert.
See, I admire that. You may not like someone's music, but that doesn't make them any less of a human being.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 03, 2007, 05:59:22 am
hey you guys want more industry talk?

-Travis Morrison is king of assholes. He always whines about how he needs more coke and hits on 18 year old girls, offering to show them songs he wrote...but you have to come to his van to hear them.
-most emo bands like Julia, the Rites of Spring, and Still Life, abhor the label.
-most rappers have stellar weed and will share with you.
-Dan Deacon always, ALWAYS, needs a place to stay. I don't know if it's because he has a shitty label but offer him a place to crash if you can.
-Zach Condon is a prick.
-so is fucking MF Doom.
-Andrew WK is a little weird and cultish but goddam he is charismatic, something I don't think I got across. I've heard people describe him as an acid head
-MF Grimm is the most underrated rapper of the past and really after his fucking life, you'd expect him to be a huge dick, but he isn't. he deserves some love.
-David Banner and Ludacris are ridiculously intelligent.

Your about to enter a realm
A realm where people actually have different taste in music
As unbelievable as it seems
it exist

I've always thought that's a bullshit excuse. Yeah, all music is subjective. But you should be able to justify your tastes. Wash Cycle is more of a technical guy. I think it's a shame, but at least I get that! I don't like it when people just say HEH...IT SUCKS...at least elaborate slightly!
Title: Best Rihanna Single
Post by: The Ghost on November 03, 2007, 07:14:05 am
So does everyone analyze music as some of the folks here do?

I make beats myself and I personally can play a few instruments. I've been in studios before and one of my cousins owns his own studio where he makes various instrumentals working with both real instruments and synthetic instrumentals.

Even with some backround on the technical aspects of music (I'm not going to go into the specifics)... I personally don't let those aspects determine whether I like a song, artist, or band. If a song HAS technical aspects I like, I would enjoy the song even more yes. But if it didn't had those technical components in it that would be fine too. I would just see if there are other components I like about the song such as lyrics. I'm sure you guys can agree that a lot of songs excel in some aspects and are quite bad in others. I'm also pretty sure you guys would still listen to the song if it contained some components you liked, right? So... What's the big fuss here? Why should we act like the daily tabloids and fucking go into people's personal lives? Does that even matter? Russel Crow is a decent actor but can be considered a fucking dick to work with and is rude as hell... Did that stop us from liking the Gladiator? Artist's are human beings and they will most likely have the same bad habits, fucked up lifestyles, etc as any of us potentially have/will get.

If you can relate to the artist and feel the artist is much more "Real" that's great. That's actually a component to music making. It's a bonus if the artist work is actually GOOD too. Even then, we would be more sympathtic to there efforts if artist/band are just great people right? So being a good person in general could really boost one's own work, that's a given... Even more so if we can personally relate to them. But even the shittiest people can produce great music, we've seen this time and time again.

Fuck, just listen to the music... If you like it you like... If you don't you don't. Do we have to have a critical point of view and analyze every aspect to determine if something is good?


Music is universal, and there are so many components in them that anyone could find something they enjoy. There are many genres too. I'm sure MANY of you completely ignore some genres and slap a very stereotypical or subjective quote on it like "Rap is crap". I could personally tell you straight up that there are "gems" in all genres. I also hate the fact that some people say "Oh that's not real music"... All forms of music take a certain level of work to properly execute. Of course we could say some genres require more skill then others but that shouldn't stop us from enjoying ANY of the genres. It is even more fucking bullshit when people dump there subjective views and rant about why what you listen to is crap. Hello? Not everyone has the same taste nor the same level of critical analysis.

That whole argument about whether the artist is "Real" or not is fucking bullshit. Music can easily be viewed as an escape, sort of like movies. So just because an artist got married she does not mean she can't talk about being involved in the dating scene. Sure he/she is married, but was he/she not involved the whole dating scene before?

Man sorry for the whole rant here. I was just trying to look out for those people who like music for OTHER reasons then the technical components. I am in no way start a whole flame war or anything but music has evolved from it's very defination, so I say embrace it.

Your right Danger, main stream can sometimes be good too. Any idiot can avoid the corporate driven crap trash music that come out every year, so loosen up a little bit folks.
Title: Best Rihanna Single
Post by: tomohawkjoe on November 03, 2007, 07:15:29 am
I've always thought that's a bullshit excuse. Yeah, all music is subjective. But you should be able to justify your tastes. Wash Cycle is more of a technical guy. I think it's a shame, but at least I get that! I don't like it when people just say HEH...IT SUCKS...at least elaborate slightly!

This is 100% true.
Thats the kinda thing that really pisses me off.
I understand when people don't like a certain style of music, hell, I've been ridiculed several times for listening to what I do. But I hate it when people, as you said, use the whole "Yeah, it sucks" and then end it there. I wish people would at the very least give me a reason as to why they feel a certain band/genre sucks.
I'll show you what I mean.

Friend: Hey, what are you listening to?
Me: Oh, I'm listening to Nile.
Friend: Ugh, they scream, I hate screaming.

See, I would accept this. The person doesn't like screaming, ok. At least they provided a reason why.
But unfortunately, this is how it usually goes.

Friend: Hey, what are you listening to?
Me: Oh, I'm listening to Nile.
Friend: Ugh, they suck.
Me: Why?
Friend: Cuz, they just do.

This is bullshit! I really wish that people provide a reason. Its like if I went around saying "rap is crap" and someone asked me why, and I simply replied, "cuz its crap".
Title: Best Rihanna Single
Post by: Yeaster on November 03, 2007, 12:38:08 pm
Justin's album would've been so much better as an instructmental in my opinion (unless sung by someone with stronger vocals). You can hardly hear Justin's vocals.

I never really got into Rihanna's old stuff, but I have and enjoy her latest album. She'd be a MUCH better singer if she would put more emotion into her songs. She kind of sounds like a robot at times, unfortunately.
Title: Best Rihanna Single
Post by: Wash Cycle on November 03, 2007, 02:34:22 pm
I dont have much left  to contribute to the topic but...

I dont just only listen to music for the music (example gy!be) it is just that I find that if a band doesnt interest me on the atmosphere/symbolic level (which pop music doesnt by and large) then I have to rely on what is there musically to get any enjoyment out of the piece and if there is nothing interesting musically then I generally dont like it (exceptions being like... Blondie and the Eurythmics and god knows what else schlock I listen to)

I guess I just... well I'm still struggling to throw off the yoke of the extremist aesthetic that I was drawn into in my formative years. Elitism (and especially one formed around fukken metalllllll) is a very hard thing to rid yourself of especially when those ideas and habits formed when you were 14-16 years old. I'm more open about things now than I used to be.. but I've still got a long way to go.

but yeah after this topic I feel like I giving the JT album at least a try. we'll see
Title: Best Rihanna Single
Post by: Dyne on November 03, 2007, 09:28:12 pm
I also suggest giving FutureSex/LoveSounds a listen, it is really, really good! It's fun stuff to listen to for the most part, my favorite songs are LoveStoned/I Think She Knows Interlude and What Goes Around... / ...Comes Around Interlude.
Title: Best Rihanna Single
Post by: Beasley on November 04, 2007, 07:23:20 pm
Quote
David Banner and Ludacris are ridiculously intelligent.

what, seriously? judging from his music i would not think that AT ALL. The closest he comes to relevant hip-hop is Runaway Love. Not saying hip-hop needs to be relevant to be smart, but he just typically sticks to party rap and considering his body of work one wouldn't think him to be all that smart, or at least fairly passive and uh indifferent! unless of course you mean business smarts in that he makes music he knows will sell, in that case i totally agree.

but uh discuss i am interested!
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on November 04, 2007, 07:33:03 pm
no, like they are great speakers and apparently very smart. I was surprised but apparently yeah, they are really smart dudes.

they both went to college and everything and are well read guys.
Title: Best Rihanna Single
Post by: Lars on November 05, 2007, 02:19:11 am
elaborate joke or truth

hmmm...............
Title: Best Rihanna Single
Post by: Epona on November 13, 2007, 06:53:25 am
Well I think some of the songs she is singing could be realy good if they were sang by a person who has a nice voice!
I'm sorry to say that, I guess a lot of people who love Rihanna post in this thread but I think her voice is terrible and everything else but good or nice.
She destroys the songs with her voice.
Title: Best Rihanna Single
Post by: Beasley on November 16, 2007, 02:37:39 am
Wow so to further derail the topic onto JT, I downloaded his album. Steel's right. It's really interesting how he blends a lot of classical instruments with synthesized beats. Overall, I'd say it fairly main stream and experimental at the same time. I'd have to say "What Goes Around", Lovestoned, and Losing My Way are the best tracks. When the choir in Losing My Way comes in, it's pretty great imo
Title: Best Rihanna Single
Post by: Sarhan on November 16, 2007, 07:01:55 am
I know I'm late here and everything but...someone actually listened to Umbrella and liked it?

I'm fucking confused.
Title: Best Rihanna Single
Post by: PTizzle on November 16, 2007, 10:26:25 am
if by meta you mean the reverse of Pitchfork, I love the National (Boxer is the best album this year still and it's been a great year!) and thought Clipse had an incredibly underrated release with Hell Hath No Fury.



The Clipse album was great. From what I saw it got a good critical response but sold poorly and a lot of people shunned it for cocaine lyrics and such (but it was quite a bit more than that). They're very talented artists.
Title: Best Rihanna Single
Post by: blood hell on November 16, 2007, 11:53:38 pm
I know I'm late here and everything but...someone actually listened to Umbrella and liked it?

I'm fucking confused.

Believe it or not, but not all pop sucks!
Title: Best Rihanna Single
Post by: Yeaster on November 21, 2007, 01:55:41 pm
Well I think some of the songs she is singing could be realy good if they were sang by a person who has a nice voice!
I'm sorry to say that, I guess a lot of people who love Rihanna post in this thread but I think her voice is terrible and everything else but good or nice.
She destroys the songs with her voice.


I...actually do kind of agree. I bought and enjoy her album, but one day I was reading some of the lyrics, and I thought, "these songs should've been much better than they were." Examples of this are "Breakin' Dishes" and "Rehab", which she completely destroyed.

I don't think her voice bad, though. I do think, however, that she puts NO emotion into her songs whatsoever. Her voice is so flat and boring, and it makes you wonder just what her true talent is. I'm pretty sure it wasn't her idea to change her look or her style of music (though this is much better than her old stuff).

And Umbrella is a good song. Her best one.
Title: Best Rihanna Single
Post by: Cezar on December 10, 2007, 06:39:17 pm
I dont even know half of the singles on that list. Umbrella is the only one. Unfaithful sounds really bad.
Title: Best Rihanna Single
Post by: Wil on December 12, 2007, 11:21:25 pm
Umbrella. I hate the song now that I've heard it 1000 times EVERYWHERE, but still I'd say Umbrella.
Title: Best Rihanna Single
Post by: skatinggamer on December 20, 2007, 02:15:36 pm
I definitely chose "Pon de Replay" because the only other ones I would choose were "Umbrella", "Shut Up and Drive", or "SOS" and I personally think that all of those songs were way overplayed. Plus I think that "Pon de Replay" has a nice beat to it.
Title: Best Rihanna Single
Post by: KaBaNa on January 16, 2008, 06:57:43 am
Umbrella.... Hands down.
Title: Best Rihanna Single
Post by: Memoria on January 27, 2008, 07:44:48 am
Christ, this thread is still active?

Anyway, re: JT and Rihanna, I'd be blown away if their next albums are as good as their most recent ones and honestly I expect to be disappointed.  But of course I hope I'm wrong.  If only one of them pulls through with a good follow-up I think it'll be Justin for sure, especially if he and Timbaland stay together.

It could just be that I'm back in school but off the top of my head I can't say I've really noticed any amazing pop this fall/winter.  Refreshing my memory with the Billboard charts I see nothing I really like.  I've been getting more into brands of metal I had largely left unexplored (post-metal, black metal, and drone metal mainly) and lately my pop interests have found satisfaction in J-Pop (I <3 HALCALI's first two albums, especially the first) and Shibuya-kei (Takako Minekawa <= rox).  2006-2007 were amazing for pop, though, and I'm optimistic for 2008.   :)
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on January 28, 2008, 01:42:03 am
hey memoria this rihanna album kind of sucked other than umbrella!!!

also as far as pop goes have you heard the new Stars album (ollldddd but still) which I thought was way good, as was the sister release by The Most Serene Republic. also the new Los Campesinos rules, and if you are into dumb Russian shit, the new Gogol Bordello is pretty good.

if you mean mainstream, IDK, Girls Aloud's new album was the same as usual and they have fantastic production usually.
Title: Best Rihanna Single
Post by: Memoria on January 28, 2008, 04:35:25 am
hey memoria this rihanna album kind of sucked other than umbrella!!!

Disagree.  The biggest problem with most mainstream pop/R&B albums is inconsistency; basically brilliant singles and dull filler.  Of the 12 tracks on the album, 5 are excellent (Umbrella, Breakin' Dishes, Shut Up and Drive, Lemme Get That, and Rehab), a couple are good but not  great (Sell Me Candy and Say It) and the others are pretty forgettable.  For a pop album that's pretty good.  Rehab is an especially fantastic track (thank you, JT and Timbaland); if Amy Winehouse didn't come out with her song first maybe they would've gone with it as a single.  Anyway, yeah, most pop albums are lucky to have 2 brilliant songs, this one has 5 and then a little bit.

Quote
also as far as pop goes have you heard the new Stars album (ollldddd but still) which I thought was way good, as was the sister release by The Most Serene Republic. also the new Los Campesinos rules, and if you are into dumb Russian shit, the new Gogol Bordello is pretty good.

if you mean mainstream, IDK, Girls Aloud's new album was the same as usual and they have fantastic production usually.

I haven't heard of any of these, but I might check them out, thanks.  (Yeah, by pop I typically mean like non-indie pop.)

That's not say that no good stuff has come out this fall/winter but there haven't been any new good pop artists and the dinosaurs seem to be hibernating.  Wolves in the Throne Room came out with their new album this past fall, I think, and I found out about the Cool Kids, who I'm excited about.  Also I didn't listen to M.I.A. until a couple months ago but I think Kala came out in the summer.  The rest of Kala is a bit meh, though, except for the Timbaland track.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on January 28, 2008, 05:12:20 am
you're kidding, Kala fucking ruled GET BANNED FOREVER MEMORIA.
Title: Best Rihanna Single
Post by: dom on January 28, 2008, 01:41:49 pm
hey memoria this rihanna album kind of sucked other than umbrella!!!

also as far as pop goes have you heard the new Stars album (ollldddd but still) which I thought was way good, as was the sister release by The Most Serene Republic. also the new Los Campesinos rules, and if you are into dumb Russian shit, the new Gogol Bordello is pretty good.

if you mean mainstream, IDK, Girls Aloud's new album was the same as usual and they have fantastic production usually.
new stars was alright, it was good but none of it really stuck in my mind unlike set yourself on fire which will probably always be their best album
Title: Best Rihanna Single
Post by: DS on January 28, 2008, 02:11:51 pm
I like new Stars too, I agree that it's not as good as Set Yourself on Fire (I like Heart more too, actually) but it was still good. New The Most Serene Republic was nice as well and I listened to it a lot while I was in army. It was a lot better than their debut album though I'm not sure if I like it more than Phages or not.
Title: Best Rihanna Single
Post by: Artis Leon Ivey Jr on January 28, 2008, 04:26:08 pm
I really liked the new Stars, I thought the themes appealed to me.

but guess what I'm the only person ever who liked Barricade.
Title: Best Rihanna Single
Post by: Memoria on January 29, 2008, 03:42:11 am
you're kidding, Kala fucking ruled GET BANNED FOREVER MEMORIA.

 :cool:​  I meant to say that "Paper Planes" is a really good track.  Her up-tempo tracks sound really obnoxious in that stereotyped non-traditional 'world music' kind of way.  It reminds me of when I was in Jamaica (I think, might've been Mexico) at some crazy bar/restaurant.  The kind where the chick employees are going around giving guys shots and stuff.  It's not bad for a short while but it's pretty headache-inducing.  I could never stand an entire M.I.A. concert.  The Timbaland track that's really good is "Come Around."  "Galang" is also really good but it's not on Kala.

EDIT:  Actually "Galang" is just good.  It's kind of the point right before crossing over into obnoxiousness.
Title: Best Rihanna Single
Post by: dom on February 11, 2008, 10:43:54 pm
I really liked the new Stars, I thought the themes appealed to me.

but guess what I'm the only person ever who liked Barricade.
barricade was awesome
Title: Best Rihanna Single
Post by: Pulits on February 13, 2008, 04:54:31 pm
I hate the Umbrella song, makes me vomit. But I have to admit that I like Shut up and Drive, and the video is extra hot and sexy.