It does make sense, in that it makes the music have less center. If the Music has a predictable rhythm, then it's easier for the ear to predict where certain notes will land (based on the tone row), and thus certain notes are stressed more.
But Jaruten should really stop referring to dodecaphonic music as atonal, because atonal is a broader category (at least in every case I've heard it used) that encompasses all NON-TONAL music. I've even heard it used in relation to modal music.
But most 12-tone stuff is complete shit, except for perhaps Schoenberg and Berg, especially Berg.
But Jaruten should really stop referring to dodecaphonic music as atonal, because atonal is a broader category (at least in every case I've heard it used) that encompasses all NON-TONAL music. I've even heard it used in relation to modal music.
But most 12-tone stuff is complete shit, except for perhaps Schoenberg and Berg, especially Berg.