I just saw "Knowing" on sunday, and jesus christ what a ripoff.
I went in expecting crap (it's a Nick Cage movie) and was pleasantly surprised when the movie had really awesome scenes, like when the airplane comes from out of nowhere and crashes right behind Nick Cage. Pretty awesome. The effects and everything were done really well. Then the plot twist comes, and everything starts making sense, and you find out this whole time you've been buying into metaphors and imagery all very well disguised. It's a fucking christian movie. If you thought Signs was bad, this will blow your mind. THe last half hour of the movie loses all subtlety. Suddenly there are angels flying around, the garden of eden story is retold, and I shit you not, there is an actual tree of knowledge in the movie.
I really would've enjoyed this movie much more if they could've either went all in the christianity bs, or left it out. At one point I actually thought a reincarnation of Jesus might show up. Terrible movie.
I caught
Knowing earlier today, and likewise I was pleasantly surprised. It was Roger Ebert's review that persuaded me to give it a shot, and measured-up against all of the other... "less positive" reviews, I was just expecting a
good film.
And I totally agree with the masterful construction of the Lexington plane crash sequence. I was seriously shook-up after that. Really chilling stuff.
But I respectfully disagree with this point.If anything the film appeared to take a somewhat neutral stance on whether Free Will or Determinism is the order of the Universe. Also, it attempted to present how such beings as Angels, and even God, could exist within the natural confines of the Universe.
What's so preachy about an alien race being able to predict the apocalypse, who then act upon this knowledge by selecting a number of Earth's children to populate another planet? I imagine that's as close to Divine Intervention as an athiest could conceive of being at all realistic or possible.
You could argue that the Tree of Knowledge was unecessary if the stance taken was indeed intended to be neutral, but its presence merely affirms the themes that have been explored throughout the film. I personally felt that the closing shot was absolutely breath-taking. The fusion of the context, the special effects, the music and Proyas' insistence on holding-on to that final frame for just long enough... expertly executed!