Music Porcupine Tree - The Incident (Read 4571 times)

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gonna bore u guys w/more impressions

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Today I attended the Porcupine Tree playback for the new album, The Incident. Located at a London studio, the 55 minute epic was played through high quality 5.1 DTS surround sound speakers, showing off the advanced mixing skills of Darcy Proper, easily matching the sound experience of Deadwing.

It takes many, many listens to fully appreciate and notice all the subtleties of such a long song but even in a single session the unique Porcupine Tree sound was easily recognisable.

Starting very suddenly and changing often, a mixture of Jeff Wayne’s War of the Worlds and Nine Inch Nails shines through the middle section as the “story” of the first song progresses. Intense electric guitar contrasts against “Trains”-like acoustic, interspersed with grand piano which could easily be from Insurgentes.

Indeed, The Incident would not be out of place on the In Absentia album with its heavy guitar riffs and swirling Barbieri synth effects.

We were only treated to the first song, broken down into 14 parts, with 4 remaining, but separate, songs still to be revealed. One thing is certain, this is going to be a good year for Porcupine Tree.

The Incident in the new album from Porcupine Tree, out September 21st 2009.

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Wotcha all!
 
This will be a very short post as I don't have much time this morning to do the thing justice but here goes...
 
Air Studios, Hampstead, is a converted church which you could easily walk past if you did not know it was there but I did and I went in!
 
The actual event kicked off at around 6:15pm yesterday evening with SW hovering around checking speakers etc.  SW did apologise to all who were around the edges in that they would not get the whole 5.1 experience. We were let in early and I bagged the best seat right in the middle!
 
Anyway, the lights did not dim but the music did start and for the next 55mins we were exposed to another episode of PT brilliance. Unlike SoD I thought the whole thing held together really well, in fact, I think it is a much better crafted album than Fear. Nothing seemed out of place although the mood does change from track to track. Time Flies is certainly a brilliant 'hats off' to PF and was very reminiscent of parts of the Animals album. I really loved it but there was plenty more really good stuff too. Yes there are Opethesque heavy riffs in parts and some brilliant harmonies but overall it seemed to be a very tight almost Spartan affair in terms of the final effect. SW's vocals are really spot on and not hidden behind effects.
 
To answer some of the other questions on the forum regarding the other players... yes it is true that neither Colin or Richard's contributions are 'in your face' but they are very much there and really bring things alive. Colin is certainly playing a fretless for some of the time but I couldn't say that for every track. Richard uses lots of very subtle effects in addition to the standard keyboard stuff... really adds to the atmosphere. And Gavin is right in there with his usual variety of rhythms and tempos.
 
Some brilliant but simple riffs and rhythms are dotted throughout the album but in many ways this will be one to listen to from start to finish and then start over again.
 
All in all as good as I've heard and yes there are Insurgentes similarities but this is very definitely a PT album rather than a SW one.
 
I'll try and give a more full account of each track later today, if/when I find the time but for now I'm afraid I have to go.

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Well Roadrunner Records UK and the band held 3 listening sessions today at Air Studios in North London. I was lucky enough to get a invite via the CRS and attended the evening session.

Mr Wilson and Mr Barbieri were present, but Steven was feeling a bit unwell (and no doubt had been chatting to other journos all day), so he didn't stick around for very long after the listening session. Steven did give a little intro talk but didn't really add to what you can already read on the Website or the Roadrunner site.

We were all sat in the main studio in the middle of a quad speaker setup which sounded fantastic, even though, seated as I was on the front-row, I probably didn't get the very best of sound

http://www.facebook.com/photo.php?pid=2988717&l=c89fc1c7c6&id=685806666

We got to listen to the 55 min 'song cycle' (i.e. the first disk) and very nice it was too.

THE INCIDENT
i occam's razor (1.55)
ii the blind house (5.47)
iii great expectations (1.26)
iv kneel and disconnect (2.03)
v drawing the line (4.43)
vi the incident (5.20)
vii your unpleasant family (1.48)
viii the yellow windows of the evening train (2.00)
ix time flies (11.40)
x degree zero of liberty (1.45)
xi octane twisted (5.03)
xii the séance (2.39)
xiii circle of manias (2.18)
xiv i drive the hearse (6.41)

I think its impossible to review anything on the basis of one listen, but a few things which stood out were

1) The songs flow was good and there was a certain feel which was reminiscent of On the Sunday of Life - i.e. songs of various styles which bled into each other quite nicely. Early songs were punctuated by the heavy riffing of the opening number, but the later songs transition more smoothly.

2) The longest song - Time Flies at 11:40 was the song which stood out for me. There was a nice long guitar solo in the middle.

3) The oddest song was perhaps the title track which went from almost industrial sounding to pleasant breezy Porcupine Tree circa Lightbulb Sun. I wonder if Frippertronics were involved at the beginning ... but Fripp is not mentioned as being a guest on the album

As someone who like FoaBP but still found it a little indigestible in some ways, I think that this is a more accessible and less heavy Porcupine Tree.

Its gonna take a bit more digestion ... when (if) promo copies get sent out, but I think that there is certainly a little of everything in there for PT fans of all eras.

I'm sure that a report will appear soon in UK publications (print and online) as there were 3 of these sessions and I'd expect that the takeup was pretty good. I'd guess that those who were able to attend the sessions earlier in the day probably had the opportunity to interview members of the band, but having to work meant that the evening session was the only one I could attend.

We were also given a little handout with the lyrics and some details of the album. There don't appear to be any guest appearances though Wes does contribute some guitar - not sure if he counts as a 'guest' or not.

hoping audio clips will come out soon now that the listening parties are done with
Last Edit: July 07, 2009, 08:00:58 am by DragonSlayer
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Someone needs to leak this already.
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word on the street says....


PT sold out
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fuck pt
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fuck pt
could someone warn dragonx for this? i don't think rules allow this kind of groundless bashing.

EDIT:

http://roadrunnerrecords.co.uk/page/News?news_id=79840

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This coming Monday (JULY 13TH), we will reveal a taste of things to come from the upcoming album by PORCUPINE TREE- THE INCIDENT.

Check back here at 4pm Monday to hear a snippet of the title track from the new album, which in it's entirity lasts a staggering 55 minutes! We will also bring you the thoughts of some of the fans who attended a full 5.1 playback of the track in a studio here in London on the 6th July.

The album will now be released on SEPTEMBER 14TH in three formats- a standard double CD, and MP3 download and a Deluxe Edition (full details TBC).

release date is 14th instead of 21st and 5 days for audio snippet.
Last Edit: July 08, 2009, 04:36:00 pm by DragonSlayer
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could someone warn dragonx for this? i don't think rules allow this kind of groundless bashing.
actually i think that's grounds for promotion
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preview is up: http://www.myspace.com/porcupinetree

Sounds p.cool!! loving some bits while others sound pretty weird and can't judge them on this. Definitely more electronic elements this time around.
Last Edit: July 13, 2009, 12:50:48 pm by DragonSlayer
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a few places I loled at the vocals so I don't know what to think about the new album at this point  we'll see when something more than ridiculous record label appeasement medley has been released.
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There's a lot of recycled riffs from Anesthetize in that preview in places.

It also seems they are trying to be more of a Roadrunner style band with the metul.
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I didn't think there was that much from the preview that I would consider to be any more metal than any of the previous releases.  If anything, the medley seems to show that this album is more varied than the previous albums which were pretty musically straightforward when it came to the stuff that was rock-out steven wilson style.
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pt are on roadrunner? ahahhaha
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i might understand your argument if there was a time pt wasn't pretentious and vague as fuck but dude, it has never been the case. pt's music has always been like that, and AT LEAST borderline pretentious. foabp is the only album which actually makes a somewhat clear statement.

also you have a wrong idea. it doesn't matter if they shit on their audience or not. they don't create their music for you, they create it for themselves. if you like it then that's cool but don't get the wrong idea. they shouldn't be thinking about what listeners want when they are making music.

if this was really the case why even market the album
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It's like an olympic event where a bunch of people in their late teens try their hardest to have a more cynical view of music than the next guy.

Guys, just think of... fluffy... bunnies.

Now breathe. Perhaps bash one out.
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if this was really the case why even market the album
even if you are going to do something your own way doesn't mean you don't want others to hear and like it. not sure how you reached that conclusion. all i said that as musicians you should do what you want to do and not care what your fans want. that's stupid as fuck.

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pt are on roadrunner? ahahhaha
been for nearly 3 years now, get on with the times pal. i fail to see what's so funny about it though, roadrunner has done great job with both pt and opeth and their popularity has increased a lot despite both putting out pretty unconventional records!

btw ed what parts are recycled from anesthetize? the only somewhat similar part i hear is the chugga chugga part and even that isn't the same.
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roadrunner is one of the worst record companies probably ever

theyre also pretty excessively 'corporate'
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roadrunner is one of the worst record companies probably ever

theyre also pretty excessively 'corporate'
may i ask where you come up with this stuff?? they aren't even considered a major label as far as i know so i really doubt they are as corporate as some bigger labels. as for being one of the worst record companies, do you mean their lineup? if so, i agree that most of the artists under them are absolute garbage. but as long as they let bands do what they want, that doesn't matter to me. then again i don't really give a shit about record labels.

by the way this would have made a way better cover:


(promotional art)

but no they had to go pick that photo over it. this one has so much more style. :(
Last Edit: July 14, 2009, 10:16:58 pm by DragonSlayer
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actually DS, roadrunner is considered a major record label because they're owned by WB

in the past Roadrunner has actually had a pretty bad track record with how they promoted bands.  I recall reading an interview or something where Glassjaw was all up in Roadrunner's grill about the record refusing to give bands decent support unless they were in the big tier of puling in money for the label.  This would've been like 2000-2001 though, so I suspect things have changed since then, although how much, I really don't know.  I seem to recall other bands saying similar things about Roadrunner being kind of a bad label to deal with but I cannot recall any specific bands saying such other than Glassjaw at the moment.  HOWEVER, this doesn't indicant anything with the quality of the music as DS cited.   Roadrunner doesn't seemed to have changed or pushed towards any agenda, which makes me suspect that they have changed some of their management style, or they have just seen that some bands are more sucessful with what they do rather than the record label pushing them into becoming something else.   It doesn't help that they have a decent cash cow going still with nickleback and the likes on their record label anyways.
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Oh aight, if some bands have had problems with them then I understand if they are considered a bad label. Like I said, I don't really give a shit so I have never read up on Roadrunner. I just know SW has criticized their past label for lack of support while being extremely happy with the way Roadrunner has handled things and giving them free hands from writing and recording to producing. Roadrunner just practically markets and distributes their records, I suppose it's a win-win situation for both.

But yeah, obviously Roadrunner is a business company so they'll surely want to make as much money as possible, but that applies to pretty much all the labels and we all know that music industry sucks. But as long as labels don't start affecting what kind of music you have to put out (as in artists I like :cool: ), I don't have any bigger reason to care about labels.

over n out... im goin 2 sleep
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Oh aight, if some bands have had problems with them then I understand if they are considered a bad label. Like I said, I don't really give a shit so I have never read up on Roadrunner. I just know SW has criticized their past label for lack of support while being extremely happy with the way Roadrunner has handled things and giving them free hands from writing and recording to producing. Roadrunner just practically markets and distributes their records, I suppose it's a win-win situation for both.

But yeah, obviously Roadrunner is a business company so they'll surely want to make as much money as possible, but that applies to pretty much all the labels and we all know that music industry sucks. But as long as labels don't start affecting what kind of music you have to put out (as in artists I like :cool: ), I don't have any bigger reason to care about labels.

over n out... im goin 2 sleep
yea i really don't care either as long as they're making music i like and the record label isn't treating them like shit although record labels are apparently pretty important to some people