the really interesting movies, regardless of when they came out, are usually the ones where they didn't have a huge budget or some tremendous production scale and had to be clever about the way they present the story. that's where the good performances are, and the intelligent film-making methods are, because they had to earn every inch of effectiveness they had rather than throw garbage special effects or marquee film stars at you and call it entertaining storytelling.
That is so true. I had an Iranian Cinema class last year and man, so many beautiful and amazing movies, all done with little to no support of the governmental (at best) and extreme censorship (at worst).
So Swordfish, I could just go and suggest you watch anything by Kiarostami, Makhmalbaf or Panahi but I'll distill it into a list of great works:
Once upon a Time, Cinema, Mohsen Makhmalbaf
The House is Black, Forough Farrokhzad (It's in b&w but fuck you if you are gonna miss one of the most shocking moment of beauty I've ever seen in a movie)
The Cow, Dariush Mehrjui
The Cyclist, Mohsen Makhmalbaf
The Gilan trilogy by Abbas Kiarostami
Where is the friend's home?Life and Nothing MoreAu travers des oliviers (don't know the english title but it's the third of the trilogy)
The taste of Cherry Abbas Kiarostami (BIG recommendation)
Ten, Kiarostami
Five, Kiarostami (you gonna hate that one)
Five in the afternoon, Samira Makhmalbaf (Mohsen's daughter)
Smell of Camphor, Fragrance of Jasmine, Bahman Farmanara (pretty good and intelligent "comedy")
I don't know if a guy who is "not interested" in b&w movies will be interested in Iranian Cinema, but at least one of you guys will take a look.