Topic: breaking bad. blabbing blab. (Read 4351 times)

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I liked last night's episode quite a bit more than the first couple, which I'm basing on the fact that there were moments that were making me tense and I had to look away a couple of times. Mostly when Hank and Marie were over for dinner. The shot where Walter emerges like a sea creature to grab Skylar in the pool I am ambivalent about - aesthetically it's really cool, and if the character work for both Walt and Sky was better this season then it could have been a really good moment but as is, it's just another clunker in what is becoming a really one note dynamic.

If any of you guys watched the new Battlestar Galactica, it had a problem that when it slowed down to move pieces around or do character episodes, it became much less convincing. It thrived on high tension and action, which they knew how to do really well. I thought last season that Breaking Bad had a similar problem, because I didn't enjoy a lot of the season and then the last few episodes were really good. The more I think about it, the writers of this show can't seem to handle their characters. I don't really believe Skylar's behaviour this season - she's the way she is right now because Walter killed Gus, apparently, and I think Skylar would be the type of person to take the side of her family in that situation. If the writers had let Walter explain it to her in a reasonable way, then I don't think she'd be doing this catatonic routine they have cooked up for her. However, Skylar still resembles a real person, while Walter's transformation has been very disappointing. It has also has the effect of disconnecting him from us and the person he has been. We see far less of his thought process, so his attitude can often feel like more arbitrary writer manipulation which doesn't bear as much continuity with how he has been portrayed in the past as it should. It isn't as interesting and he really has not been much more than a series of i am the danger speeches this season. I thought they had more up their sleeve with this, but it seems like they are just determined to make good on that scarface promise to the detriment of the show.

Was the plot twist that Walter poisoned the kid really worth enough to sacrifice our identification with the character this much? We didn't see him carry that out, and it was a pretty unbelievable step for him to take. It wasn't a particularly good plan, and doesn't seem like something that would occur to Walter, so at the very least we should have seen him up close while he was carrying it out. I think if we had seen these events in detail it would have been easier to swallow, and been much more emotional. To actually see his eyes as he tries to convince Saul to help him, as he delivers the poison - it would be watching another little part of him die, and that would be both sad and scary. As it was I just thought that it was a dumb twist I didn't believe in.

I don't really remember what I liked about this episode now, but when it finished I thought in my head, well that was a bit better. It's a decent show, I'll recommend it to people, but it has gone on for too long.
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I have to say I'm the opposite, I felt this episode was almost unbearable. then again at least it wasn't yet another episode full of mike and walt being the most boring people alive

but the walt and skylar scenes were kind of stupid imo. let's take a moment to step back and clearly explain to everyone what most people should have already picked up on over the past few episodes. and everything to do with the new lady character (who'd bother remembering names) has been awful, right down to mike's jokes about sexism, which btw don't make sense given his half measures story in season 3

I don't have a problem with walt being unlikeable, I just wish they'd get on with it. there's too much of THIS after the season 4 finale. I guess next episode is finally the one where walt orders someone to be killed not out of "self-defense". I'm looking forward to it, but even if it turns out to be bad there's no backing out, I'm watching this show to the end
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she's called lydia and is played by someone called laura fraser which i only really remember because she's scottish

i feel like a lot of what is going on doesn't make much sense character wise, which i talked about a bit before, and that's why a lot of what has been going on has been not that interesting. i wonder why i said i liked this one and then began logging my complaints about most of the main components of it.

also; i'm finally seeing some stuff in reviews i read about breaking bad having  problems with writing women, of which there have only been 4 in substance. skylar, marie, jane and now lydia. and really jane and lydia are kinda stretching it since i think jane was only in 4 or 5 episodes and existed mainly for wale/jesse storyline purposes and lydia is yet to do much if she's gonna.

i really recommend not reading too much discussion about this show online if anyone is thinking of doing that because it's probably ruined the show for me more than i realise. probably true for everything. i'm not talking about talking about it here or with friends, but these mass opinion...holes.
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I've tried before. I watched some developer commentary too, but it was missing that apple genius/disney imagineering music playing in the background as they're all talking and making their plot decisions sound really really dumb

no I don't want to be stale, I'll stop it. I do appreciate your posts jamie. we'll get through this.
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my mum likes to sputter 'pig!' and 'that PIG!' whenever walter does or says anything so i like to watch the episodes with her now.
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New one just finished. My first reaction is that it was total bullshit. Can the writers not come up with something other than the sudden harm of seredipitously unlucky children to show us that crime doesn't pay? I keep seeing this crap coming and I always hope the writers have the intelligence not to take these easy shots and they keep going for it.

oh no jeese's gonna be sad now...hamfisted crud all round this season.
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Can you say WOW? This has got to be my number 1 or number 2 fav episode of the series ~everyone no it was stupid. the plot device with lydia was stupid, the train thing was ok, todd as a psycho is kind of nice, but the garbage with the kid was awful. and the preview of next episode looks really bad. watching it with your mom would make me like it more too
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what does everyone else think?
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I mainly pay attention when walt is wearing his hat because he only wears his hat before a bit the writers think is cool
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Barring some the usual cheesy DEA crap, and Mike's continuing presence, I liked this latest episode. All the Walter and Jesse stuff was pretty good, here. I liked the conversations they had, and getting into Walter's head again a bit helped to get me interested in what he was going to do next. What he did actually do, well that wasn't so great, but it's just plot contrivance and I've given up on Mike's character anyway so I don't care how weird and inconsistent he keeps acting. Roll on, next weeks' nonsense!

I notice that this show is actually really inconsistent and maybe it's got something to do with the writing becoming focused on particular moments or statements it wants to make regardless of whether it is good for the show as a whole. It's like they can't decide on a single direction to take things in the short term, with Walter's arc looming in the background, and so just throw whatever cool idea they come up with at the wall in the meantime. Quite a lot of these ideas turn out to not be so great. So on the one hand you have the stupid kid getting killed, - which I'm glad they didn't dwell on too much this week, really - and mistakes like the Salamance twins, and then on the other hand you've got high points like Walter screaming in the crawl space. The character stuff is similarly hit and miss, and I think this episode was presenting a version of Walter I'm more interested in. It is still charting his change, but doing it with a bit of nuance and giving us insight, rather than the idiocy of the super surprise Brock poisoning. The only bad moment that stood out for me this week was him whistling in the meth tent after talking to Jesse about the kid dying. Yeah, right.

I wonder if Jesse will get back with Andrea? I hope so, they kinda threw that part away. Maybe at least we'll see him go to her again before this part of the series is over.
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I liked some of the tension created in the last episode, between Walt and Mike, and especially during the train scene. But I agree that the show is getting more and more inconsistent and some things just don't make sense. I'm disappointed that Jesse is still pretty much just a dumb kid. I don't really feel like his character has grown much, considering just how much shit he's been through.
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just watched, it was a half decent episode. not really for doing anything good, just for not being awful. doesn't come close to redeeming the season, this is like a +1 for the walter and jesse scene while the season is -20 overall

I really do not understand how they think they can keep milking the mike character, which was initially supposed to be a one-off reference to the cleaner in pulp fiction btw
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Welp. got what you wanted. No more Mike. I was kind of bummed out though.
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Yeah, that was pretty good how that happened cos I was sad too and I haven't enjoyed Mike since season 3. I know why - it's cos Walter was shocked back into sobriety, like he hasn't been all season, immediately after he shot him. It's really good if there is a conflict in Walter about his insane power lust, and he's definitely the kind of guy who lets himself get overwhelmed by his ups and downs.

Some of the episode was boring but I figure there is potential for this to all have a big old sad messy ending. It's a shame about the big wait, because it is only just starting to feel like there is any emotional weight behind this (they wasted so much time on bullshit this season), but hopefully next week's episode will focus on the good stuff and not the nonsense.
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did walt shote mike or did mike shot himself. I haven't looked but this is probably the burning question a) mike shot self/let walter kill him or b) writers being inconsistent again by making mike suddenly unawares enough to not spot gun/check bag immediately/react in time to not let a novice walk over and shoot him point blank

and yeah, at least they managed to make mike a little interesting again for this past episode. and it's interesting how they made it more difficult to identify with/hold compassion for Walt than gruff ol mike

cant wait 1 hour 4 the finale to glaringly contrived plot devices w skylar and linda
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Also Walt has become a moron. or at least revealed himself to be one... at least in the last couple of episodes. Its been staggering how dumb hes been. Don't get me wrong, he's made bad choices before, but at least he executed those bad choices intelligently, now he's almost as inept and bumbling as Bryan Cranston's other character (Hal).
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Do you think hank will wash his hands of the whole bathroom situation?
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so some of the shit rolled uphill and anna gunn wrote an article about how people talk about skylar:
 
http://www.nytimes.com/2013/08/24/opinion/i-have-a-character-issue.html?_r=0
 
 
I wrote a post which is basically about that just now over on selectbutton. figured I'd revive the topic in BB: End Of Days is on right now. lllleeeettttsssss talking Blab with chris haddaxmskib
 
here's my post about that:
 
 
It's asking more than the writers of Breaking Bad really deserve to treat their insincere inclusion of women in their story as anything other than perfunctory.

You can make an obvious case about how harmful a lot of Walter's behaviour has been, and how increasingly dreadful his personality has become, but it is also correct to observe that the entire story has been designed to make the viewer anticipate the next moment of his ascension to dominance as much as possible. Breaking Bad has always been at least as much about the thrill of breaking out of whatever our inhibiting shells might be as much as it is about condemning the consequences of that process.

That doesn't preclude the possibility of a counterbalancing perspective in the story, which Skylar, along with now Hank and Marie, have provided as the series has gone on. It is confusing at times, though, when you're trying to work out exactly what the show is trying to say. Maybe the answer to that is that it isn't trying to send a simple message, but a lot of people have difficulty comprehending even those in the way they are intended. Some people see the half of the show that gives them a buzz, and become increasingly irritated with the cold shower of morality that occasionally floods proceedings. Some people get worn out with the increasingly campy moments of defiance the writers let Walter indulge in.

I think the problem with Breaking Bad specifically is it wants to have it two ways, without putting the work in that is required. I think it's very good at the Walter stuff even if the show has gone on too long and started repeating itself before the conclusion segment of the show we're in now. It isn't so good at the realistic portrayal of how the people in his life might react, and has always spent far less time on developing that side of the story. This is also the side of the story the few women on the show have been restricted to, with the exception of Lydia.

Skylar was a terribly written caricature in the first season, Marie was basically a joke character. Skylar has been developed since then, but a lot of that has been in contradiction to her earlier portrayal. She doesn't make much sense as a character unless you ignore the first 15 episodes or so. After that, they decided to start trying to do something with her, and that's kind of been working out, but it is difficult to reconfigure her place in the story without either changing the blueprint they laid out at the start, or changing her. They decided to change her, which has gone some way to smooth over the reptitive way she would throw a wrench in the plot or drive it off course for a while. I don't think it really says much about the regard the writers have for women in a story like this though, especially since she's the only major female character on the show. Marie doesn't really count, she's never been central to anything and doesn't really have a personality you could describe if you ignore the abandoned kleptomania nonsense. Lydia is the closest thing to a second woman, and there are some problems with the fact that she basically fits the mould of a crazy, unreliable female!!! - but there is still some mystery to her at this point and she has been written into the story rather than in the way of it. She could go either way at this point, in terms of being a redeeming example of a woman on the show. Skylar has been redeemed to an extent, and it involved jettisoning her initial character, but that was no great loss because she was just a caricature and narrative obstacle entity before.

I think an extreme reaction in defense of the way Breaking Bad has included women in its story is probably not justified. The show was constructed to primarily be about white men, and then it was populated very sparingly with a few women at the edges of that narrative. In a show that is set up like this, I understand that it isn't just a case of fringe idiots twisting things to their nefarious misogynistic perspective when the ugliness inevitably arises. If the show wanted to have meaningful portrayals of all genders in its story, it would've done that. The writers are good at pulling off what they want to pull off. If Skylar and Marie are the fullest representation of women that the writers intended, it shows where their priorities were in devising the show.

It is obviously a pattern with acclaimed TV that the women are sidelined to a large extent because, for whatever reason you want to interpret, writers are much more interested in stories where men have agency and women have less. Betty Draper in Mad Men, though, I think it would be unfair to say isn't developed, or that the writers are more interested in showing Don giving kickass ad pitches. Mad Men has a wide variety of well developed female characters. Betty is the closest thing to the narrative obstacle type in that show, even while she is more, and so she's been a lightning rod for the people who choose to interact with their entertainment in a misogynist way.

The kind of people who incessantly complain about Skylar nagging or being a bitch, etc, without any self-awareness, are the same ones who say those things about Betty. You will get those gutter people no matter what, even in shows which focus on women like Girls and Orange Is The New Black, but I think one of the reasons the response has been particularly ugly with Skylar is that Breaking Bad is a show designed to exclude women from the core of its narrative which then makes what I take to be half-assed attempts to include women by doing what shows about white men do best and using them as roadblocks.
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While I certainly think that the psychos making death threats on the actor are abhorrent. I still don't really like Skylar. Probably partially at least because, yes she goes against the main character, but also because of a few key actions she's taken. She's at least a fairly interesting character though.
 
Marie has always been far more annoying and sort of flat as a character.
 
As for Lydia, I actually like this character. Probably for her combination of survival-at-all-costs and weasel-like nature. She is actually sort of a more cowardly female Walter White. And Walter White is most definitely a weasel, even a cowardly one at times. I'm sort of rooting for her, though I find that her team up with Meth Damon the child-killer makes me pull back on that a bit.
 
Walter White himself I find to, like probably everyone else who watches, to be a fascinating look into subjective morality. He's as close to being 'evil' as you can get. But even though one should condemn his actions, you can at least see through him that 'evil' doesn't truly exist as some sort of concrete metaphysical bullshit because hes so well constructed as a human character. The show knows that evil is in fact subjective, and thus acting on it is difficult while also keeping certainty that you are doing what is right unless you are a clairvoyant consequentialist. Walter White does the things he does for dominance now, yes, but the original driving force (and still a driving force) is to protect and uplift his family and even essentially adopts Jesse as another son, bringing him 'into his family'. Which is almost regrettable for Jesse.
 
Hank on the other hand is a 'good guy' but is actually mostly out for himself. He doesn't want to catch the elusive Heisenberg for ethical reasons, or at least they aren't the driving force behind him. He wants to be "the one who catches him" it always been about catching Heisenberg as a trophy not a moral victory. When he finally finds out that Walter is the one he's been looking for all along his shock is intense but short lived, he's far more enraged about his predicament. His beloved career is certainly over as soon as he decides to bring his target in.
 
I know a few people who think Jesse is a terrible person just like Walter. But this isn't remotely the case. Jesse, for most of the show, has been the unaware fool partner of Walter. Yes, he is responsible for producing meth and selling it just like Walter but he was selling it to his customers equally high off of his supply from the start. Jesse sells his product to customers as an 'equal' in that he lacks sobriety. "If its OK for me to use the stuff and I can make money selling it to my fellow meth-heads what wrong with that?" While Walter is far more exploitative. Being fully sober because he understands the destructive nature of his product, and yet selling it all the same, letting his customers kill themselves through his extremely potent product. Jesse also has a much more heavy conscience and feels incredible guilty for even being indirectly tied to to 'evil' deeds or in the case of shooting Gale, killing in a sort of 'self defense'. Jesse's awareness of Walter's lack of a conscience has wavered in and out and near the end of this show it looks like Jesse's understanding of Walter has finally cemented in.
 
 
Back to the topic of female characters in general, I think another driving force in making females 'roadblock' characters is that stories are always about some sort of change. Women are culturally depicted as being stable and men unstable. Women are depicted as being ok with the status-quo assuming no great injustice and men as dominance seeking rabble-rousers who take even small slights against them or their allies as acts of war or injustice that need resolving, which makes for good story telling, while stability is viewed as boring.
 
"Be happy you don't live in interesting times." -paraphrasing someone that I forgot the name of.
 
Anyway, can't wait for the new episode!