but who knows it might be entertaining and the trailers could just be shitty. the lack of black freighter and giant psychic alien is kind of throwing me off, but movies do need to be significantly different than their source materials to be good so i dunno.
Not entirely correct. Although it has been omitted from the Theatrical Cut, it's being released as a DVD tie-in, along with a faux television interview with Hollis Mason discussing his autobiography, Under The Hood.
http://www.play.com/DVD/DVD/4-/8922060/Watchmen-Tales-Of-The-Black-Freighter/Product.html so, rorschach's comment about ozy being gay has been removed
Zack Snyder has stated that this line will be included in the Extended Cut. I'm unsure as to why they axed such a brief, but insightful comment from the Theatrical Cut, though.
Maybe the live-action character will portray come off pretty gay as it is. Maybe he's a pretty shitty actor, though, who the fuck is this guy?
Sounds like a grade-A idiot, with self-esteem issues.
On the contrary, I actually rather admire him after reading those comments. Alan Moore said it himself: the responsibility of the artist (I hate the use of this title outside of the visual arts, but as I'm paraphrasing I'll let it slide) is not to give the people what they
want, but what they
need.
Now, to paraphrase Goode: FUCK the fans! So long as Watchmen makes enough profit to justify the investment, Warner Brothers, Legendary Pictures and Paramount are sure to be pleased. I'm in love with the comic, but if the film is good in its own right then I'm going to be more than pleased. Sod the fucking squid, sod Goode's "mis-casting" and sod the fucking fans! They're taking this way too seriously.
Oh, and do bear in mind that these are probably the same fanboys that slag-off
Batman & Robin, but are intellectually incapable of backing their bullshit up. I could write countless essays on that film's overlooked credibility, but to the average fanboy it boils down to a couple of latex butt-shots, an excess of neon and a few throw-away (but admittedly cringeworthy) ice-related puns.
And don't even get me started on how fucking difficult screen acting is. Judging by the clips I've seen so far, Matthew Goode's done a fantastic job of portraying Adrian. From the line delivery itself (I'm quite fond of the snippet I heard of the speech he gives to his Vietnamese aides), to the duality of his private and public persona. He's taken the two-dimensional source material and really crafted a character of his own, whilst ensuring that it remains true to the spirit of its comic book counterpart. Unless you've done screen acting yourself (and I have), you'd probably have no idea just how tough it is.
Once the fanboys have finished swallowing Goode's load, they can start on mine next! I'm going to judge the film on its own merits, even though I'm very familiar with the work upon which it is based. These half-baked critics that are slamming the flick before they've seen it don't deserve to have access to such a masterful tome as the Watchmen comic, let alone what looks to be a faithful and equally masterful cinematic interpretation of it.
Fucking "Generation X" taking everything for sodding granted...
By the way:
dunno if this has already been linked to:
http://www.wired.com/entertainment/hollywood/magazine/17-03/ff_moore_qa?currentPage=all
it's a good recent interview with mr moore, it has some really good bits
I read most of this the other day. As much as I disagree with him on a number of things, I do love the fella! I got a chuckle out of his observations regarding the post-Watchmen trend of "pretentious and unecessarily sadistic" comic books. That said,
The League of Extraordinary Gentlemen wasn't too pleasant; but at least its horrors were consistent, as opposed to contrived.