...more like Northern Lights you cowboy fucks.
In any case, I'm a very big fan of Phillip Pullman or at least His Dark Materials (that Sally Lockheart shit was, well, shit) so I've been sort of looking forward to this for a while. I say "sort of" because it's a very, very easy one to fuck up, especially since the director had already stated that all religious references were to be removed and replaced with euphamism to make the film financially viable in the United States of Being Fucking Backward About Everything Apparently. I guess their reasoning is that the kind of nuts who care about HERESY of all things wouldn't even notice euphamism which is a little insulting to a demographic they want to grip so tightly for whatever reason.
New Line are fucking cowards basically.
Anyway, the film. One of its main strong points is the casting I'd say. Its next strong point would be the story they had to adapt in the first place. After that finding strong points gets a little tough. I'm betting the AWESOME GRAPHICS would be one for people not watching a cam version.
For people who haven't read the book: did that feel like a natural place for an ending? Certainly didn't to me. Apparently that whole section (the ending) is already filmed and they simply wanted to shit the product onto celluloid quickly because of marketing pressure or some such.
I think I found the film okay just because of how much I like the books. I'm pretty sure anyone seeing this stuff for the first time would just find it terrible. I
AM looking foward to The Subtle Knife (will we be lucky if we get this title lol (I don't actually care about the name despite my first line)), especially because then I'll get the ending to the movie I just watched in the first five minutes. :thumpsup:
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