It sucks that after the british comic revolution bringing forth so many great english comic writers into the mainstream, he's always the one people remember, and is now getting HOLLYWOOD attention. Uhg.
I admit that I run in strange circles, but I tend to hear a lot more about Alan Moore and Warren Ellis than Frank Miller. And lately, that girl who got a job because she told everyone how stupid they were about writing women. Was it Gail Simone? I don't know if that's just because she's new or because she's really a phenom, though. I've read very little by her. I don't remember which run on Deadpool was hers (or was it Agent X at the time?), but Deadpool never feels like Deadpool without Fabian Nicieza writing him, to me, anyway. And he's such a specific sort of character that I can easily see good writers not doing him well....half of the fun of Deadpool is how mindlessly fun it is, and good writers aren't always great at mindless fun. They tend to prefer....Mindful Fun, I guess? Or Serious Business, maybe?
But anyway, yeah. Alan Moore and Warren Ellis are way cooler than Frank Miller, but I have no problem with someone writing something that is just balls-to-the-wall crazy distillation of the Superhero genre like Franky seems to like. That's basically all Nextwave was, and I loved Nextwave.
At any rate, I dunno about Frank Miller. If his writing felt a little more playful, I think I'd absolutely love him. Even when it's supposedly tongue-in-cheek (like Allstar "I'm the Goddamn" Batman), his stuff seems to take itself too seriously.