I just watched the latest Jia Zhangke film (that I know of), a documentary he released in 2010 called I Wish I Knew. This guy is maybe my favourite, although a lot of it is the subject matter he chooses to focus on rather than any specific qualities in his films - although I do like what he does with what he chooses to focus on a lot though, obviously.
This film is primarily composed from a series of interviews with Chinese artists with connections to Shanghai and Taiwan. I recognised a few of the interviewees, like Hou Hsien Hsiao and another old actress lady I don't know the name of. From what I could tell, the rest of the interviewees were from similar backgrounds based on what they talked about, although some seemed more focused on industry and business. The interviews are all interesting, they range from stories going back to the war with the Japanese in the 1930's, various personal recollections, the cultural revolution, and then more recent stories, too.
There is a framing device featuring Zhao Tao wandering around modern Shanghai, which I guess just serves to give a bit more visual context to the stories and provide more atmosphere - well, that's all I took from these sections anyway. The only events that happen during them are that it rains, and then she meets who I think is Lim Giong and stands next to him for a minute without saying anything. Zhao Tao has been in a whole bunch of his movies now. She's cool. She doesn't really do much in this, but it's cool she is in it. There is some ambient music playing during alot of these sequences, which is really nice. The music in Jia Zhangke's movies is always really nice. I wish I could find more of it. A lot of it has been done by Lim Giong who I think is pretty successful over in China but it's hard for me to track down his stuff.
Like I said, I'm pretty into this guy in particular. I think it has a lot to do with his aesthetic sensibilities, because I always find his movies beautiful. The way he puts things together, and the pace at which things unfold, really encourages me to go to a place in my head I really enjoy being. There's also the subject matter, which I have mentioned when talking about his films before, and it is much the same here. It's all about China's modern history and where that has taken things to today. There's weight given the personal while still always being aware of the institutional and there isn't any tearjerking or anything like that.
Check this friggin guy out! I think he's pretty well known by now but I don't think any of you guys watch his movies. It's not just him, either.
edit: i just looked zhao tao up and apparently she's only been in jia zhangke movies. i was sure she was more prolific and famous than she is, i guess i am just making up roles for her in my head from seeing her in all his movies.