part of my problem with amos and her lillith fair ilk is I've always had the impression their music is more about keeping a certain aesthetic rather than being, you know, good. amos, ani di franco, and a lot of THEEEEM have huge discographies and a lot of the albums suck but try telling a fan that. they even respect Y Kant Tori Read?, an infamously terrible first effort ruined by studio interference, because it comes from TOOOOORRRII.
a lot of the time I listen to them it's clearly more about catering to some fanbase that I really want no part of. I've been fans of groups with ridiculous fanbases before (Marillion just leaked their new album guys!) so its not just FANBASES EW but the degree to which they are obsessed over. whether it's intentional or not, every fucking thing Amos does, from her music to just her LIFE WORK (does it surprise anyone she's friends with Neil Gaiman and they're doing a comic book together, no doubt based on her works?) is all about her fanbase, not about making good music.
and she can make good music, she's clearly talented, but when you hear a song like Me and a Gun, you have to wonder at the genuinity of writing a song about being raped in first person and whether she's just really talented at channeling rape victims (and I mean, the band I just mentioned, Marillion, wrote a brilliant album about suicide so it's not like it's impossible) or whether it was just the setup for an aesthetic that she keeps today, and that's really not a problem I have with most artists so like I said, music for a fanbase, not music for music's sake.